Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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No Call U
It isn’t entirely clear whether “No Call U,” recorded toward the end of the 1999 sessions on July 23, was intended for Jill Jones, another side project, or Prince himself; more likely than not, given the “crazy blur” of recording sessions during this period, it wasn’t even clear to the participants at the time.
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Lady Cab Driver (Rearrange)
What keeps “Lady Cab Driver” distinct from 1999’s other transportation-themed erotic fantasies, “Little Red Corvette” and “International Lover,” is its pervasive sense of angst.
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Moonbeam Levels (The New Master)
If the 1999 album sounds like dance music from a cyberpunk future, then “Moonbeam Levels” sounds as if it’s been beamed in from an entirely different solar system: had David Bowie’s Ziggy Stardust character been a product of the early ‘80s instead of the early ‘70s, this is exactly the kind of song I’d imagine…