Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
This weekend, something finally happened (or perhaps more accurately, didn’t happen/isn’t happening) in the Prince world that I feel compelled to comment on.
I did not expect to be sending out another newsletter so soon after the first one, but there’s a compelling reason for it: Recordings of this past weekend’s #Come30 virtual symposium are available to watch on Zoom Events until this Sunday, August 18 at 11:59 pm ET.
Hello again! After almost a year and a half of radio silence, it now seems I can’t shut up.