Though it was a major boon for his own development as a songwriter and producer, for the rest of his band, Prince’s agreement to collaborate privately with Chris Moon went over about as well as you might expect. Curiously, Moon remembers Morris Day taking the snub hardest: “he was a pretty flamboyant, outrageous, strong personality even back then,” he said to biographer Matt Thorne, “so I think it struck him as difficult that the quietest person in the band had been picked over him, the front man” (Thorne 2016). Morris, of course, was the group’s drummer, not the “front man”; it’s unclear whether Moon was speaking figuratively, or confusing him for someone else.
In any case, the other members of Shampayne served Prince with an ultimatum: Moonsound, or the band. Prince chose Moonsound–but his version of the story, at least, suggests that the decision was more complicated than simply ditching his friends at the earliest opportunity. In Prince’s telling, it was actually his trip to New York in the autumn of 1976 that caused the rift, and it was symptomatic of a larger gap in ambition between himself and the rest of the group. “I asked them all what they wanted to do, ‘Do you want to stay here, or do you want to go to New York?’” he explained to Musician magazine’s Barbara Graustark in 1981. “No one wanted to do it. They liked their lifestyle, I guess. I don’t think they really liked the idea of me trying to manipulate the band so much. I was always trying to get us to do something different, and I was always teamed up on for that. Like, in an argument or something like that, or a fight, or whatever…it was always me against them” (Graustark 116-117).