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#PrinceTwitterThread: “All the Critics Love U in New York”

Last Friday night, I broke my self-imposed hiatus to contribute to the latest #PrinceTwitterThread series on 1999. I used this opportunity to expand on one of my favorite posts I’ve written, “All the Critics Love U in New York,” zeroing in on the themes of Prince’s reciprocal relationship with Detroit DJ the Electrifying Mojo and, by extension, the early techno scene. I’ve been wanting to do a project around the Detroit-Prince connection for years, and to be honest, when I decided to do this thread, I didn’t think it would fill that gap for me; but I’m actually very happy with how it turned out, so if this ends up being my last word on Prince and Detroit, then I’m surprisingly okay with that.

In fact, I’m so happy with this thread that a part of me wishes I’d centered my paper at next (!) weekend’s #TripleThreat40 symposium around it, so I could already be mostly done with my personal projects this month instead of only half done. But that’s Burnout Zach talking; I have every confidence that by the time the symposium runs around, I’ll be glad I decided to pursue two cool ideas instead of just one. For now, please enjoy Cool Idea #1; hopefully I’ll see some of you when it’s time to unveil Cool Idea #2.

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Vanity 6, 1982

Nasty Girl

While Prince wasn’t nominated for any American Music Awards in 1982, the night of the ceremony would turn out to be fortuitous for another reason. It was at an AMAs after-party on January 25 when he first met Denise Matthews: a 23-year-old model who, under another name, would soon become the most infamous of his 1980s paramours.

Born in Niagara Falls, Ontario to a German Jewish mother and an African American father, Matthews shared with Prince a tumultuous childhood: her parents divorced when she was young, and she and her six siblings grew up without their mother in their lives. In Matthews’ case, however, the trauma also extended to sustained physical abuse at the hands of her father, who died when she was only 15. “For 15 years, he beat me badly,” she later told Aldore Collier of Jet magazine (Collier 1993 58). “I wish I could see my father in heaven, but I won’t. He’s in Hell” (59).

Despite–or perhaps because of–the low self-esteem she suffered as a result of this troubled upbringing, the stunningly beautiful Matthews went on to pursue a career in modeling: winning the Miss Niagara Hospitality pageant in 1977, and competing for the Miss Canada title the following year. She signed with New York’s Zoli Agency and appeared in a few ad campaigns in the U.S. and Japan. Under the pseudonym “D.D. Winters,” she acted in the 1980 Canadian slasher film Terror Train, starring Jamie Lee Curtis, and had the dubious honor of playing the title role in Tanya’s Island: a truly bizarre erotic fantasy about a model embroiled in a violent love triangle with her painter boyfriend and a bestial, apelike creature (no, seriously, see photo above).