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Ephemera, 1983

Irresistible Bitch

From his debut through 1999, Prince was releasing albums at the steady clip of one per year–with side projects the Time and Vanity 6 doubling, and then tripling, his output in 1981 and 1982, respectively. But as his attention turned to the development and production of his first feature film, the release schedule inevitably slowed. The year 1983 would be the first in half a decade without a new Prince album on shelves.

As it happened, this arrangement served his record label just fine. “Warner Bros.’ pop department worked really hard to launch Prince to pop radio,” recalled Marylou Badeaux, at that time a marketing executive in Warner’s “Black Music” division. “But there never was time. As soon as something was starting to happen on pop radio, the next album arrived. The fact that we weren’t getting a new album in 1983 ended up being a tremendous blessing because it gave us more time” (Nilsen 1999 119).

For Prince himself, the “blessing” was considerably less tremendous. “Delirious,” the third single from 1999, had released on August 17 paired with “Horny Toad,” an outtake of similar style and vintage. But the fourth single, “Let’s Pretend We’re Married,” wasn’t due out until November; and Prince, who had recorded enough music that year to fill a whole LP and then some, was itching to put out something new. According to sessionographer Duane Tudahl, the hyper-prolific artist spent his time at Sunset Sound on September 16 reviewing two prospective B-sides: “G-Spot,” which he’d tracked in May and would later dust off for protégée Jill Jones; and “Irresistible Bitch,” the latest version of which had been recorded just a day earlier. “Not surprisingly,” Tudahl writes, “he chose his most recent work” (Tudahl 2018 170).

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Ephemera, 1983 Patreon Exclusives

Patreon Exclusive Bonus Track: 1983 Piano Rehearsal

At this point, it’s customary to marvel at the sheer, staggering amount of music Prince recorded. His finished recordings number in the hundreds, if not the thousands: enough, to borrow a cliché that became ubiquitous after the Vault was cracked open in 2016, to fill an album a year for the next 100 years; or, to put it in more personally meaningful terms, enough to keep me working on this goddamn blog until roughly the end of my natural life. But the mind truly boggles when one considers that those “finished recordings” are only the tip of the iceberg. Beneath the surface are hundreds more hours of rehearsals and rough sketches recorded for private use–only a fraction of which are ever likely to see the light of day.

By this reckoning, the solo piano rehearsal officially released in 2018 as Piano & A Microphone 1983 is not, in itself, remarkable; it’s just one of countless other “work tapes,” as former Revolution keyboardist Lisa Coleman describes them in her liner notes, by an artist for whom making music was an avocation as much as a vocation (Coleman 3). Prince Estate lead archivist Michael Howe told Newsweek that when he found the recording–a standard, consumer-grade TDK SA-60 cassette with two tracks, “Cold Coffee & Cocaine” and “Why the Butterflies,” listed in Prince’s handwriting–it was in a box with “[l]iterally thousands” of other tapes (Schonfeld 2018). But what it lacks in uniqueness, it makes up for in historical importance: capturing, with near-unrivaled intimacy, a snapshot of Prince’s creative process on the very cusp of the career-defining success of Purple Rain.

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Prince Track by Track: “She Spoke 2 Me”

Let me actually start with an update: I’m now about halfway through my second post on “Controversy,” which means it will be on track to go live next week. Very excited to share it; the first “Controversy” post was one of my favorite things I’ve written for d / m / s / r, and this one feels to me like a worthy followup. In the meantime, here’s another episode of the Prince: Track by Track podcast, where host Darren Husted and I talk about one of my favorite deep cuts of the ’90s:

Prince Track by Track: “She Spoke 2 Me”

Again, I’ll be back with more next week! See you all soon.