Just two weeks after beginning “Take Me with U”–and a little less than three months after finishing “Sex Shooter”–Prince had nearly enough material for a full album by Apollonia 6; the only thing missing was a feature for the group’s third member, Susan Moonsie. According to Brenda Bennett, the oversight may have been deliberate: “Susan and Prince were fighting,” she told sessionographer Duane Tudahl (Tudahl 2018 255). So, never one to shy away from a passive-aggressive slight, on February 5, 1984, His Royal Badness dashed off “Ooo She She Wa Wa” with zero input from his protégée and on-and-off paramour.
Tag: sex shooter
Believe it or not, it’s already time for a July Patreon update! This was a pretty good month for me, writing-wise, so I spent some time reflecting on that, as well as my ongoing Apolloniassance, a preview of my plans for the podcast, and some questions from longtime patron/podcast guest/friend of the blog Snax! On that note: In an effort to make talking to a camera for an hour once a month feel slightly less weird, I would love for more topic suggestions/questions/whatever from patrons. Please leave ’em in the comments (here or on Patreon), send ’em to me via Patreon DM, or hell, even email me at email@example.com. Thanks for your support, and I’ll see you in August!
Some Kind of Lover
With his own album and the Time’s both more or less finished–emphasis, in the former case, on “more or less”–Prince finally turned his full attention to Apollonia 6 in early February 1984. The two songs he’d completed for the project to date, “Sex Shooter” and (soon to be reclaimed) “Take Me with U,” had focused on the group’s frontwoman and namesake, with some difficulty. Luckily, there were two other members to write for–one of whom could actually sing!
Take Me with U
Production on Purple Rain officially wrapped in late December 1983; but as the film’s chief composer as well as its star, Prince remained on call through the post-production phase. Just about a month after the end of shooting, his services were once again required: Director Albert Magnoli wanted a song for the sequence where the Kid and Apollonia ride through rural Henderson, Minnesota on his motorcycle. So, at Sunset Sound on January 22, 1984, Prince started work on “Take Me with U.”
Principal photography for Purple Rain was scheduled to begin on November 1, 1983, but it actually got started a day early: To take advantage of the beautiful fall weather in Minneapolis, Prince’s manager-turned-producer Bob Cavallo rented a helicopter for aerial shots of the star and his leading lady riding his soon-to-be-iconic 1981 Honda CM400A Hondamatic. “We spent the day shooting the shit out of the motorcycle,” director Albert Magnoli recalled (Light 2014 113). Everything was going so smoothly, in fact, that one could hardly tell the original lead actress had left the production in the lurch.
As we’ve seen, relations between Prince and Vanity had been in choppy waters since at least the 1999 tour. By the time Magnoli met the aspiring actress in early August, “It was obvious there was a strain, that her agent was putting doubt in her,” the director observed. “She’s looking at the next door, but she’s not sure she wants to go through” (Light 2014 106). Vanity remained attached to the project for at least the rest of the month; she’s in Magnoli’s draft screenplay, dated August 29. But sometime in September, the other shoe finally dropped: Martin Scorsese had approached her with an offer to play Mary Magdalene in his adaptation of Nikos Kazantzakis’ The Last Temptation of Christ. Magnoli was upfront with her: “‘This is my first picture. It’s a musical. Martin Scorsese? Okay, I don’t want to steer you wrong here, but gee whiz, that’s a great opportunity,’” he recounted. Less than two days later, “she was out” (Tudahl 2018 131).