Just as he had with the Time’s earlier song, “Cool,” Prince tapped his own band’s guitarist, Dez Dickerson, to help write the song: “Prince called me on the phone with a song title,” he told the alt-weekly Nashville Scene in 2014, “and about 15 minutes later, I called him back with lyrics based on the title” (Shawhan 2014). Dez, who had spent years touring in journeyman rock groups before linking up with Prince, had more familiarity with the rock ‘n’ roll lifestyle than anyone else in the camp. But his take on the song “kept the content rated G,” as he later recalled, so “Prince altered it somewhat from my original version” (Dickerson 205). The final lyrics, when viewed from a contemporary lens, seem calculated to shock and titillate: “Hangin’ by the backstage door, decked out like a queen / Your body’s sayin’ 21, but your face says 17.”
The Family might not be as much of a household name as Sheila E, the Time, or even Vanity/Apollonia 6, but they’re secretly one of the best Prince “protégé” acts out there. Here’s a brief rundown of their short life and surprisingly fruitful afterlife.
In his recent cover story for Rolling Stone, reporter Brian Hiatt writes about what would become his final visit to Prince’s Paisley Park complex, in January of 2014. At one point, he describes standing in front of a mural “where a painted image of Prince, arms spread, stands astride images of his influences and artists he, in turn, influenced” (Hiatt 2016). Among the “influences” depicted in the mural are the usual suspects from Prince’s Grand Central days–Sly and the Family Stone, Tower of Power, Grand Funk Railroad–as well as Chaka Khan.
Indeed, Prince and Chaka go way back. In his teen years, he’d been “a fan and a fanatic, too, because I used to run home and see everything she was on,” he told the Philadelphia Daily News in 1998 (Pendleton 1998). According to biographer Jon Bream, the apartment where Prince lived around the time of his signing to Warner Bros. had “45 rpm records nailed to the wall next to a poster of Chaka Khan” (Bream 1984). During the recording of his 1978 debut album For You, he would listen to records by Chaka and her group Rufus to get in the right mood for his vocal sessions; “He absolutely loved that girl,” assistant engineer Steve Fontano recalled to biographer Per Nilsen (Nilsen 1999 37). At one point, Prince even lured Chaka to the Record Plant by pretending to be Sly Stone over the phone. When she showed up, he later remembered, “I was so in awe of her I couldn’t speak, so she listened to me play for a little while, then she left” (Pendleton 1998).