Podcast: The Crazy Things You Do – A Conversation with Kimberly C. Ransom

Podcast: The Crazy Things You Do – A Conversation with Kimberly C. Ransom

(Featured Image: Prince by Robert Whitman, 1977.)

For the first d / m / s / r podcast of 2018 (!), it was my pleasure to speak with budding educational historian and Prince scholar Kimberly C. Ransom. Kimberly presented at the University of Salford’s interdisciplinary Prince conference last May–those of you who listened to my series of podcasts on that event probably heard her name come up once or twice–and her essay, “A Conceptual Falsetto: Re-Imagining Black Childhood Via One Girl’s Exploration of Prince,” was published last fall in the Journal of African American Studies’ special Prince issue. If any of my listeners haven’t checked out that issue yet, I’m hoping this interview will offer some incentive: Kimberly’s essay in particular brilliantly interweaves her lifelong love for Prince with an incisive critique our often-pathologized discourses of Black childhood. She also has a surprisingly lovely singing voice.

As we embark on a brand new year of dance / music / sex / romance, allow me to direct your attention to our iTunes, Stitcher, and Google Play feeds; if you feel compelled to subscribe, rate, or review us on your service of choice, it will be much appreciated. And of course, if you enjoy the podcast (or blog!), don’t be afraid to spread the word. Lots more exciting things to come!

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Review: Moments… Remembering Prince

Review: Moments… Remembering Prince

(Featured Image: Cover art for Moments… Remembering Prince by Marylou Badeaux.)

One of the best things about the ongoing renaissance in Prince literature is that there’s a little something for everyone. For those who want to be the proverbial fly on the studio wall, there’s Duane Tudahl’s exhaustive chronicle of the sessions that produced Purple RainAround the World in a Day, and a handful of other classic albums. For those with a desire to unshroud some (but not all) of his mystery, there’s the moving and surprisingly tasteful memoir by his first ex-wife, Mayte Garcia. For those more interested in parsing Prince’s cultural significance, there’s the book-length study by author Ben Greenman, as well as the upcoming volumes from the editors of the Journal of African American Studies and the convenors of this year’s interdisciplinary Prince conference at the University of Salford. And that’s not even to mention the (reportedly excellent) photo books by Steve Parke and Afshin Shahidi, for the more visually-inclined.

Moments… Remembering Prince doesn’t fit neatly into any of the above categories, but it is sure to appeal to a substantial audience all the same. Author Marylou Badeaux, former V.P. of Special Projects at Warner Bros. Records, was never anything more than professionally involved with Prince, but was present in his life for longer than most: almost two decades, from his signing in 1978 to his acrimonious departure from the label in 1995. And, while Badeaux wasn’t privy to the actual creation of Prince’s music, she was very much a part of the crucial, underexplored side of selling and promoting it, during a period that saw both his unquestioned commercial peak and a handful of troughs. As the first person from the Warner/Paisley Park camp to chronicle this side of the story in print, Badeaux has a unique and valuable perspective to share.

It’s important, however, to keep in mind what this book is and what it isn’t. In short,  Moments… is just what the title suggests: a series of short, vignette-like memories from Badeaux’s and Prince’s shared careers, tending more toward the prosaic than the earth-shattering. Readers well-versed in Prince lit may even find one or two of Badeaux’s better-known anecdotes absent from this telling: chiefly, the artist’s notorious 1980 appearance at Warner H.Q. in full (/scant) Dirty Mind regalia. But what the book lacks in comprehensiveness, it makes up for in personality. Fans hungry for a glimpse at the “real Prince” will find plenty to savor in Badeaux’s recollections, including some genuinely charming interactions: my favorite involved an attempt to show Marylou some freshly-shot Graffiti Bridge footage on a video playback machine, with the parts he deemed “not ready” covered up by his motorcycle-gloved hand.

As a storyteller, Badeaux is engaging and personable, lending the book a pleasant, conversational tone. At times, I did wish for the presence of a stronger editorial hand; the chapters were a bit too bite-sized for me, with background details on certain places and events relegated to external article links. But I also have to appreciate–as I’m sure Prince would have–the fact that Marylou told her story the way she wanted it told, right down to the cover design. The result has some of the same quirky, homemade charm as the NPG Records releases of the late ’90s and early 2000s. At its best, Moments… is as much a scrapbook as it is a memoir; among the most engaging chapters is one composed entirely of photos of Paisley Park in the 1980s–a precious commodity now that photography has been banned within its hallowed halls.

There’s also a larger reason why Moments… is worth Prince fans’ attention; quite simply, Marylou puts a human face on a business relationship that still gets short shrift in certain parts of the community. In a time when conspiracy theories about W.B. knocking off Prince for his masters remain depressingly common, Badeaux’s clear affection and appreciation for the man and his art should remind us that there were people on both sides of the Warner conflict: people who may or may not have had Prince’s best interests at heart, but people nevertheless. And Marylou, to her credit, does seem to have had Prince’s best interests at heart–even if, like many of her peers, she found those interests increasingly difficult to comprehend. In the end, Badeaux experienced Prince’s death in much the same way as we did; and if Moments… is what it took for her to reckon with that loss, then we’re all lucky to be able to share in her journey.

(Update: The hardcover version of Moments… Remembering Prince is now available on Amazon! You can support d / m / s / r by purchasing it–or anything else–using my affiliate link!)

Podcast: Yes – A Conversation with Chambers Stevens

Podcast: Yes – A Conversation with Chambers Stevens

(Featured Image: Prince at the El Rey Theatre, Los Angeles, 2004; Chambers is behind him on the left. Photo by M. Caulfield.)

It’s been over half a year since the University of Salford’s interdisciplinary Prince conference, but I keep connecting with people who presented there and whose topics of research are too interesting not to discuss. This time, I’m talking to actor and playwright Chambers Stevens, who has a fascinating theory about the influence of improv training on Prince’s approach to life and performance. But we aren’t just retreading Chambers’ presentation from the Salford conference; he also has some hilarious stories to share about his own run-ins with Prince (and Chaka Khan), as well as some thoughts about the peculiar nature of Prince fandom. We had a lot of fun recording this–hopefully you’ll have fun listening as well!

And speaking of fun, there’s still a little more time to participate in my giveaway for a free copy of Duane Tudahl’s new book Prince and the Purple Rain Era Studio Sessions: 1983 and 1984. The rules are simple: just subscribe to d / m / s / r on your podcast app of choice (logging into iTunes or Stitcher and searching “dance music sex romance” should do the trick), and leave a review. It doesn’t have to be a positive review; feel free to rake me over the coals if you want, just make it well-written. On Tuesday, December 12, I’ll look at all the reviews that have been submitted, pick my favorite–again, not necessarily the most positive!–and announce the winner on the next episode of the podcast. Oh, and speaking of that next episode, this is one you’re not going to want to miss: I was fortunate enough to speak to the one and only Marylou Badeaux, former V.P. of Special Projects at Warner Bros. Records and author of the upcoming memoir Moments: Remembering Prince. Come back and listen to it next week!

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Podcast: I am Something That You’ll Never Understand – Chris Aguilar-Garcia and Natalie Clifford on the Salford Purple Reign Conference

Podcast: I am Something That You’ll Never Understand – Chris Aguilar-Garcia and Natalie Clifford on the Salford Purple Reign Conference

(Featured Image: Prince at his most gender-nonconforming on the Lovesexy tour program cover, 1988; photo by Jeff Katz.)

Here at last, after much delay, is my conversation with Chris Aguilar-Garcia and Natalie Clifford, two presenters from this May’s interdisciplinary Prince conference at the University of Salford. Both Chris and Nat identify as queer, and both have very interesting things to say about Prince’s legacy of “revolutionary queerness” and the space he created for less conventional expressions of gender and sexuality in the mainstream. If you liked the last episode with Snax, chances are you’re gonna like this one.

This is the part of the description where I would normally say we’re switching gears and moving away from the Salford conference, but as it happens, we already have another interview with a presenter in store. So basically, I’ll keep doing these as long as people want to talk to me. If you still want to listen to me–and, more importantly, my eloquent guests–feel free to subscribe on your podcast service of choice (iTunes, Stitcher, or Google Play), or listen on Mixcloud. And if you really like us, take that aforementioned podcast app and shoot us a rating or review; it will make us more “discoverable” and broaden the listening base. In the meantime, thanks as always for listening!

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