Last Friday night, I broke my self-imposed hiatus to contribute to the latest #PrinceTwitterThread series on 1999. I used this opportunity to expand on one of my favorite posts I’ve written, “All the Critics Love U in New York,” zeroing in on the themes of Prince’s reciprocal relationship with Detroit DJ the Electrifying Mojo and, by extension, the early techno scene. I’ve been wanting to do a project around the Detroit-Prince connection for years, and to be honest, when I decided to do this thread, I didn’t think it would fill that gap for me; but I’m actually very happy with how it turned out, so if this ends up being my last word on Prince and Detroit, then I’m surprisingly okay with that.
In fact, I’m so happy with this thread that a part of me wishes I’d centered my paper at next (!) weekend’s #TripleThreat40 symposium around it, so I could already be mostly done with my personal projects this month instead of only half done. But that’s Burnout Zach talking; I have every confidence that by the time the symposium runs around, I’ll be glad I decided to pursue two cool ideas instead of just one. For now, please enjoy Cool Idea #1; hopefully I’ll see some of you when it’s time to unveil Cool Idea #2.
Hi, all: as those of you who have been watching my Patreon videos already know, the last few months have been an absolute nightmare at my day job, which, to put it mildly, has not been conducive to my creativity. I’m not gonna lie: I haven’t been this close to packing it in and retiring from amateur Prince scholarship since the Great “Cloreen Bacon Skin” drought of 2020. But I’m still here, and have some stuff to share with you all this month, even if the blog is likely to stay on pause until April.
First, I’m proud to be a part of the latest installment of the excellent #PrinceTwitterThread series curated by DJ UMB and Edgar Kruize, celebrating the 40th-and-change anniversary of 1999. Edgar kicked it off yesterday with a characteristically mind-blowing thread on the album’s cover art, which I promise will make you feel like you’ve never properly looked at the record before. I’ll be popping in next Friday, March 17, for a thread on “All the Critics Love U in New York” (I guess “D.M.S.R.” felt too on the nose). I’ll be posting my thread on here as always, but I highly encourage you to tune in to the series every day; a preview of coming attractions (including friends of the blog Jason Breininger and Tonya Pendleton!) is below.
Speaking of exciting fan projects, I have to give a belated shout-out to another friend, De Angela Duff, who since the beginning of 2023 has been co-hosting a weekly livestream with Michael Dean titled “What Did Prince Do This Week?” The series is a book club-style “slow read” of Duane Tudahl’s book on the Purple Rain studio sessions, and like everything De Angela does in the Prince world, it’s a wonderful source of both knowledge and community (even if, like me, you end up catching the replay instead of experiencing it live… I’ll make it one of these weeks!). You can catch up on the series to date, and tune in for future streams every Saturday at noon Eastern, on De Angela’s YouTube channel.
Last but not least, I have one more bit of self-promotion to leave you with: I’ll be presenting at De Angela’s #TripleThreat40 symposium at the end of this month as part of the Vanity 6 panel with Robin Shumays, Aisha K. Staggers, Elliott H. Powell, and moderator Miss TLC. My presentation will be kind of a sequel to the one I did at 2021’s #1plus1plus1is3 symposium, looking at the Vanity 6 album through the aesthetic lens of pornography and in the historical context of the academic and political “porn wars” of the 1980s. All I can say at this point is that it will be my most ambitious psuedo-academic project yet–whether that’s a good thing or a bad thing, we’ll have to wait until March 31 to see! Even if I don’t stick the landing, I’m looking forward to seeing a lot of you in person–some for the first time, some for the first time in years–in Brooklyn that weekend. You can reserve a free spot at the symposium here.
Okay, unfortunately, it’s time for me to go back to the work that actually pays my bills. If any billionaire readers out there want to subsidize my Prince scholarship for a modest annual salary, my inbox is open; in the meantime, be good to yourselves!
Prince’s Sunset Sound session on February 3, 1984 was highly productive, even by his lofty standards: After taking “A Million Miles (I Love You)” from jam session to finished track, he still had time to complete a second number for Apollonia 6. To date, his efforts to write for the group’s namesake had been dogged by her limited range as a singer. “In a Spanish Villa” was his most ingenious solution to the problem yet: Rather than spending another long night building Apollonia’s confidence in the vocal booth, he’d craft a song around one of the bilingual actress’ existing strengths–sounding sexy in Spanish.
As I’ve alluded a few times recently, the last couple of weeks have been pretty hectic in my neck of the woods; but I still had to make the time to participate in this month’s #PrinceTwitterThread series on 1995’s The Gold Experience. I know I remain, somewhat unfashionably, an ’80s Prince guy, but The Gold Experience is one of my faves from the ’90s and “Endorphinmachine” is an absolute banger. Check out the thread below, and be sure to also make your voice heard on the poll I posted pitting the raw original mix against the clunktastic album version. Also, stay tuned to @PrinceThread on Twitter; the series just got started, and is going all the way through the Record Store Day release of The Gold Experience on Saturday the 18th!
Hey, everyone! I’m still toiling away at my next post on the Time’s “Ice Cream Castles”; it’s almost ready, just needs some finishing touches. Meanwhile, a little bird told me that my presentation from last month’s #SexyMF30 virtual symposium is now up on YouTube, so I thought I’d share that just to make sure you all know I’m not dead. As always, I had a blast at the symposium; shoutout to my co-panelists, Steven G. Fullwood, Robert Loss, and Edgar Kruize, as well as moderator Monroe France, all of whose work pushed me to continue raising the bar in my annual cosplay as a pop culture scholar. You can see all of us in action in the panel discussion below:
As usual, I’d also like to share a few of my favorite presentations from throughout the symposium. It should be noted that this is by no means an exhaustive list; each and every presentation I was able to see was well worth my time, and I recommend every reader peruse De Angela Duff’s YouTube channel and see what catches your eye. Just take the recommendations below as a few good places to start.
First up, Casci Ritchie’s presentation on the “My Name is Prince” chain hat, per usual, hit it out of the park. She and I really must get together and record a podcast one of these days (hint, hint):
Also on the fashion tip (and someone with whom I already have recorded a podcast!) was Karen Turman, who did a fabulous presentation on the aesthetics of the “Sexy MF” song and music video. Of particular note for me: she cited Rena Clamen’s fantastic article on Prince and consent, which to my knowledge was only ever published in the now-out-of-print magazine my sister and I released back in 2018. If you’re interested, I posted a Twitter thread about this blast from the past and how much it meant to me.
Last but not least, I have to shout out my fellow #PrinceTwitterThread alum Robin Shumays for her presentation on “Love Symbol” and Orientalism–probably the single paper I learned the most from:
All in all, it was another great weekend, and just what the doctor ordered during a time when it can be difficult to stay motivated due to [gestures at the entire world]. Thanks as always to De Angela for putting together such an incredible event and an even better community. Count me in for the Triple Threat symposium later this year–and every other one, for that matter!
