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#SexyMF30 Presentation and Panel

Hey, everyone! I’m still toiling away at my next post on the Time’s “Ice Cream Castles”; it’s almost ready, just needs some finishing touches. Meanwhile, a little bird told me that my presentation from last month’s #SexyMF30 virtual symposium is now up on YouTube, so I thought I’d share that just to make sure you all know I’m not dead. As always, I had a blast at the symposium; shoutout to my co-panelists, Steven G. Fullwood, Robert Loss, and Edgar Kruize, as well as moderator Monroe France, all of whose work pushed me to continue raising the bar in my annual cosplay as a pop culture scholar. You can see all of us in action in the panel discussion below:

As usual, I’d also like to share a few of my favorite presentations from throughout the symposium. It should be noted that this is by no means an exhaustive list; each and every presentation I was able to see was well worth my time, and I recommend every reader peruse De Angela Duff’s YouTube channel and see what catches your eye. Just take the recommendations below as a few good places to start.

First up, Casci Ritchie’s presentation on the “My Name is Prince” chain hat, per usual, hit it out of the park. She and I really must get together and record a podcast one of these days (hint, hint):

Also on the fashion tip (and someone with whom I already have recorded a podcast!) was Karen Turman, who did a fabulous presentation on the aesthetics of the “Sexy MF” song and music video. Of particular note for me: she cited Rena Clamen’s fantastic article on Prince and consent, which to my knowledge was only ever published in the now-out-of-print magazine my sister and I released back in 2018. If you’re interested, I posted a Twitter thread about this blast from the past and how much it meant to me.

Much of my favorite material around the “Love Symbol Album” is the extramusical material (hence my own presentation’s focus on transmedia storytelling), so I’d be remiss not to mention the 3 Chains o’ Gold movie roundtable featuring Kamilah Cummings, Rhonda Nicole, Tonya Pendleton, Casey Rain, and one of my faves, Melay Araya, moderated by Eloy Lasanta:

Last but not least, I have to shout out my fellow #PrinceTwitterThread alum Robin Shumays for her presentation on “Love Symbol” and Orientalism–probably the single paper I learned the most from:

All in all, it was another great weekend, and just what the doctor ordered during a time when it can be difficult to stay motivated due to [gestures at the entire world]. Thanks as always to De Angela for putting together such an incredible event and an even better community. Count me in for the Triple Threat symposium later this year–and every other one, for that matter!

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#PrinceTwitterThread: “U KNOW”

Yesterday, I once again had the pleasure of participating in the excellent #PrinceTwitterThread series organized by DJ UMB and Edgar Kruize. The current series is on 2014’s ART OFFICIAL AGE, and my thread was about my favorite track on the album, “U KNOW.” You can read my thread embedded below–but make sure you also check out the official @PrinceThread account on Twitter to read the threads still in progress! Everything so far in this series has been top-notch. Thanks to UMB and Edgar for the invite, and I’ll be back with a new post on “My Drawers” soon!

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#PrinceTwitterThread: “Crystal Ball”

Well, looks like I’m beginning another year by apologizing for my inactivity at the end of the previous one; at this point, is there any more predictable tradition? I’m not a big believer in New Year’s resolutions, so I’ll refrain from making any grand promises. Just know that I’m eager to get back to work and out of the months-long rut that my “Cloreen Bacon Skin” post has become, so the drought should be over soon.

In the meantime, embedded below is the #PrinceTwitterThread with which I technically broke my two-month break from writing about and even, largely, listening to Prince. In a real “famine to feast” move, the subject was “Crystal Ball,” one of the densest and headiest tracks in Prince’s greater oeuvre. “Doing it justice” was, of course, an impossibility; but I think I at least succeeded in starting a conversation. Thanks as always for sticking with me, and here’s to a happy and fruitful 2021.

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#PrinceTwitterThread: “I Could Never Take the Place of Your Man”

As I’ve mentioned on this blog at least once before, this month DJ UMB and Edgar Kruize are curating the latest and largest of their excellent series of “Prince Twitter Threads” on–what else–Sign “O” the Times. As of today, we’re officially three-quarters of the way through, and we’ve seen threads by luminaries including Prince biographer Matt Thorne; friends of D / M / S / R Arthur Turnbull, Erica Thompson, and Jason Breininger; and, this past Tuesday, moi.

As you may imagine, the best way to experience a Prince Twitter Thread is on Twitter, using the #PrinceTwitterThread hashtag; half of the fun of these things is the conversations that come out of them (which remind me more than a bit of Q&A sessions after panels at academic conferences, right down to the occasional question-that-is-actually-more-of-a-comment and the brief, exhilirating moment of panic when you realize you now have to defend a perceived hole in your argument). But I realize that not everyone has room in their life for the uniquely 21st-century purgatory that is the bird site, and of those people I am envious; so I’m embedding my thread below for posterity.

If you are a Twitter person (my condolences), there’s still time to jump on board; Side 4 kicks off tomorrow, after what I am confident will be an enlightening thread by Edgar on the Sign “O” the Times tour today. In the meantime, I hope to be right back here by the end of next week with a post on “Cloreen Bacon Skin.”

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Reviews

Review: My Life in the Purple Kingdom

If you’ve spent any time on the Prince-obsessed corners of the Internet lately, you’d be forgiven for thinking that the Super Deluxe Edition of Sign “O” the Times was the only recent release of note. But just three days before that mammoth box set landed with a thud on our doorsteps, the University of Minnesota Press also published a new memoir by Revolution bassist Mark Brown, better known as BrownMark; and, while it understandably hasn’t generated the same level of interest as the late-1986 Vault laid bare, My Life in the Purple Kingdom is still worth a look.

Brown’s book is noteworthy in large part because, even amidst the boom of posthumous Prince publications–with memoirs by early associate Pepé Willie and longtime journalist/confidant Neal Karlen hitting shelves in just the past few weeks–firsthand accounts by former band members are still comparatively rare. Pre-Revolution guitarist Dez Dickerson’s My Time with Prince: Confessions of a Former Revolutionary was self-published in 2003, and is long out of print; Sign “O” the Times/Lovesexy-era drummer Sheila E’s The Beat of My Own Drum came out in 2015, and was marketed more as a Sheila E book than a Prince one. This makes Brown only the third ex-bandmate to share his story in book form–and the first to do so since Prince’s passing almost five years ago.

And, make no mistake, My Life is very much Brown’s own story. Arguably its best chapters come before Prince even shows up, detailing Brown’s South Minneapolis upbringing and his entry into the city’s segregated music scene. Brown’s recounting of the shutdown of downtown R&B club King Solomon’s Mines after months of police harassment will be familiar to readers of Andrea Swensson’s excellent Got to Be Something Here; while his vivid descriptions of encounters with neo-Nazi skinheads and racist cops will be familiar to anyone who’s been following the news in 2020. Full disclosure: I read an early version of this book about a year ago while it was still in the editing process; reading it again now, in the wake of George Floyd’s murder, feels markedly different. A passage about the insidiously “subtle” nature of racism in the Midwest–where “White people would smile in your face but call you a [racial slur] behind your back”–felt especially (and unfortunately) relevant.

Ironically, it’s when the ruler (or despot) of the titular “Purple Kingdom” shows up that My Life loses some of its vitality. Readers of other Prince biographies won’t find much here to surprise them: His Royal Badness is seldom warm, often funny, sometimes vindictive, and, as his fame grows, increasingly distant from his bandmates. When Brown’s portrait of his erstwhile colleague is revealing, it’s mostly him and not Prince who is being revealed; his creative conflicts with his first band Phantasy, for example, parallel Prince’s own struggles to “cross over,” and suggest why Prince may have been drawn to recruit the younger musician as a sideman.

Mostly, though, Prince is here to serve as an inciting incident for Brown’s own personal growth. When Prince demands that his new recruit “start playing the bass, or I’ll find somebody who will,” it’s up to Brown to build up his chops. When Prince has a stylist straighten out Brown’s Jheri curl and leaves him with a “dry and bushy” shag, it’s up to Brown to “find [his] mojo” with a new hairstyle. One of the book’s most compelling conflicts barely even involves the frontman, as Brown finds himself confronted with resentful female fans–and his own low self-esteem–after “replacing” the group’s heartthrob original bassist André Cymone.

Indeed, my biggest complaint about My Life is that it doesn’t leave enough space for Brown’s post-Prince experiences; instead, the book comes to a happy, but abrupt ending after he leaves the Revolution and secures a recording contract with Motown. While I understand that the public hasn’t exactly been clamoring for a blow-by-blow account of BrownMark’s solo career, I think most readers would have been interested to hear how he ended up recording Prince’s “Bang Bang” and “Shall We Dance” in 1989. Likewise, I would have expected a new book by a member of the Revolution to include some kind of perspective on the group’s 2016 reunion, let alone Prince’s death that same year. In a recent interview with friend of the blog Erica Thompson, Brown revealed that he wrote My Life about 15 years ago “to vent and let out a lot of frustration”; this certainly squares with the bittersweet note on which he leaves his relationship with Prince, but in the current context there’s a surprising lack of closure.

Whatever its flaws, however, My Life is still recommended reading for fans of the Minneapolis Sound. Brown and co-writer Cynthia M. Uhrich have crafted a narrative that is breezy and consistently entertaining: much like Morris Day’s in his own memoir last year, Brown’s voice comes through loud and clear, from the hilarious passages about his youthful experimentation with a Jheri curl to his idiosyncratic (but consistent!) spelling of the word “cool.” If nothing else, and for reasons I won’t spoil here, I’ll never think about the passage where Brown drives out to Chanhassen for the first time to audition for Prince without laughing out loud.

BrownMark may have been the first ex-band member out the gate with a book after 2016, but I, for one, hope he isn’t the last; my personal position–which may come as heresy to some corners of the Prince fandom–is the more books, the better. Prince, as this blog itself can attest, had as many facets as there were people to observe him; books like this ensure that those many facets, and the people who were there to see them, remain in the public record.

If you’d like to read My Life in the Purple Kingdom, and support D / M / S / R in the process, I earn a small commission from any purchase made using a Bookshop.org affiliate link.

(Thank you, everyone, for your patience as I work on the next proper post; “Katrina’s Paper Dolls” is coming soon. Thanks, also, to Joseph Swafford and Tonya Pendleton, who both joined the Patreon in the past two weeks! I really appreciate your support. While I continue to work on my own stuff, I highly recommend the following Prince-related projects: De Angela Duff’s #SOTTSDC virtual roundtable series, which takes place this Saturday afternoon/evening; and the latest #PrinceTwitterThread series curated by Edgar Kruize and UMB, which will be ongoing through the rest of the month. See you soon!)