Prince Track by Track: “Better with Time”

Prince Track by Track: “Better with Time”

(Featured Image: “Pampered by all the finest amenities life has to offer, beautiful and wealthy Kristin Scott-Thomas is much sought after by two young men who are newcomers to life in the French Riviera in Under the Cherry Moon, a Warner Bros. release.”)

As promised/warned back at the beginning of the month, I’m intentionally taking my sweet time on the next post (though I will commit to getting it out by the end of the month). In the meantime, here’s my latest guest appearance on Darren Husted’s Prince: Track by Track podcast:

Prince Track by Track: “Better with Time”

Not much more to say on this one. See you again soon!

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Prince Track by Track: “Mr. Goodnight”

Prince Track by Track: “Mr. Goodnight”

(Featured Image: A little Spanish–well, French–man offers you wine and Moet; Hervé Villechaize in Fantasy Island, © Columbia Pictures Television.)

Just one more piece of housekeeping before I get back to proper posts–here’s my latest appearance on Darren Husted’s Prince: Track by Track podcast, where I got to talk about what has, in what feels like an escalating series of bets with myself, somehow become my favorite song from 2007’s Planet Earth:

Prince Track by Track: “Mr. Goodnight”

Also, given the obvious overlap between fans of Prince and Chaka Khan, I thought there might be some interest in my review of her very good latest album for Slant magazine:

Chaka Khan’s Hello Happiness Runs on Good Vibes

This is actually my last Slant review for a while, as I’m trying to focus my extracurricular writing time on this blog. And on that note, the next time you hear from me, it’ll be with a new post on “All the Critics Love U in New York.”

Prince Track by Track: “Pearls B4 the Swine”

Prince Track by Track: “Pearls B4 the Swine”

(Featured Image: 15th century woodcarving depicting the “pearls before swine” quotation from Matthew 7:6.)

Amidst all of the excitement of actual d / m / s / r content last week, I also quietly made another guest appearance on Darren Husted’s Prince: Track by Track podcast (“quietly” in the sense that I didn’t promote it on the blog, not in the sense that I didn’t talk–we definitely talked for over 20 minutes). If you got through my three-hour podcast on Prince’s second album and somehow still aren’t sick of the sound of my voice, you can subject yourself to it here:

Prince Track by Track: “Pearls B4 the Swine”

I’ll be back later this week with another, mercifully audio-free post. See you soon!

Podcast: Prince (1979) Revisited

Podcast: Prince (1979) Revisited

(Featured Image: Cover art for Prince, 1979; photo by Jurgen Reisch, © Warner Bros.)

October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.

If you want to keep in the loop for our forthcoming Dirty Mind podcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunesStitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.

Continue reading “Podcast: Prince (1979) Revisited”

Mary Don’t You Weep

Mary Don’t You Weep

(Featured Image: Cover art for the forthcoming Piano & A Microphone 1983. Photo by Allen Beaulieu, © the Prince Estate.)

Since the official release of “Moonbeam Levels” in November 2016, the Prince fan community has been clamoring for more unreleased music. The results to date, however, have been more of a trickle than the flood many would prefer. Last June’s deluxe Purple Rain reissue got mixed reviews from the hardcore for its track selection and 2016-ized mix (just for the record, I liked it). Since then, there have been rumors of a remastered edition of Prince and the Revolution’s August 1983 First Avenue debut, an expanded version of 1999, and an official release of Prince’s final “Piano & A Microphone” shows at Paisley Park–none of which have come to fruition. It was only with the single release of “Nothing Compares 2 U” this April that the drought showed any real signs of ending. Shortly thereafter, representatives of the Prince Estate (whatever that means at this point) announced two full-length projects featuring unreleased material: one from the Warner Bros. years and coming this September, the other of more recent vintage and premiering, at least initially, on TIDAL in 2019.

While the latter project remains a mystery, today–the 60th anniversary of Prince’s birth–Warner and the estate finally revealed what to expect from the former: a long-circulating collection of 1983 piano rehearsals, cleverly retitled Piano & A Microphone 1983. For better or worse, it’s on brand with the posthumous releases we’ve seen to date: tasteful, collector-approved, and dating from the 198285 zenith of Prince’s primacy in the pop market. It’s so on brand, in fact, that for the first time in the last 18 months of Prince releases, I actually caught myself feeling a slight tinge of disappointment. The Vault has been open for almost two years; isn’t it about time we got something that hasn’t already leaked?

Continue reading “Mary Don’t You Weep”