As I continue to work on my next proper post, I’m happy to share another collaborative effort I had the opportunity to participate in with popular YouTubers Prince’s Friend, Nightchild-Ethereal, and Mr. Ant. We discussed the eight main drummers Prince worked with during his career–Bobby Z, Sheila E, Michael B, Kirk Johnson, Cora Coleman-Dunham, John Blackwell, and Hannah Welton–and ranked them based on our performances. I hope you enjoy it, even if for some reason I was not looking at the camera in the first clip! Thanks to Prince’s Friend for the opportunity, and to Darling Nisi for recommending me.
As you may or may not know, Dystopian Dance Party is the other, more irreverent project I do with my sister Callie. We recently launched a physical magazine, the first issue of which is dedicated to art and writing inspired by the music of Prince. On this episode of the DDP podcast, Callie and I are joined by our friend Erika Peterson to talk about her work for the magazine–an exhaustive guide to the 3 Chains O’ Gold film–the most absurd/surreal moments of Celebration 2018, and our ongoing (one-sided) beef with Questlove. It’s definitely a bit looser and sillier than the average d / m / s / r podcast, but if you enjoy my other stuff, you’ll probably enjoy this, too:
After much delay, here is my conversation with Chris Aguilar-Garcia and Natalie Clifford, two presenters from this May’s interdisciplinary Prince conference at the University of Salford. Both Chris and Nat identify as queer, and both have interesting things to say about Prince’s legacy of “revolutionary queerness” and the space he created for less conventional expressions of gender and sexuality in the mainstream. If you liked the last episode with Snax, chances are you’ll like this one.
This is the part where I would normally say we’re switching gears and moving away from the Salford conference, but as it happens, we already have another interview with a presenter in store. So basically, I’ll keep doing these as long as people want to talk to me. If you still want to listen to me–and, more importantly, my eloquent guests–feel free to subscribe on your podcast service of choice. And if you really like us, take that aforementioned podcast app and shoot us a rating or review; it will make us more “discoverable” and broaden the listening base. In the meantime, thanks as always for listening!
I have to begin with another apology: I had hoped to get this last installment of the podcast up early in the week, but I’ve been busy with job interviews, house hunting, and most recently, an illness that is definitely audible on the outro I recorded last night. But here, at last, is the final full installment of my now month-old conversation with writer, philosopher, and fellow Prince obsessive Jane Clare Jones. This is the one we’ve been building up to for the last month: a reckoning with the psychological factors that led to last year’s deeply tragic, avoidable death. But in case you’re concerned this will be prurient muckraking in the Prince: The End/When Doves Cry tradition, please know that it’s coming from a place of genuine love, and is grounded in research rather than wild speculation. And if you’re also (justifiably) concerned that it’s going to be a depressing slog, I promise it’s not all as grim as it might sound.
And with that, the first wave of the d / m / s / r podcast is over! Jane will be back, probably sometime next month, to talk about the Purple Reign interdisciplinary conference at the University of Salford; I also still have a short, lighthearted chunk of our original conversation that didn’t quite fit this episode that I’d like to post at some point. But other than that, the future is a blank slate. I’d love to hear your thoughts on where to go with the podcast–topics to discuss, suggested guests, etc.–because it seems a shame to go to the trouble of making a feed, etc. just for one month of episodes. I hope you’ve enjoyed these as much as I have. Thanks!
I know I wrote a lot about “Moonbeam Levels” earlier this week, but it turns out I had a lot more to say about Prince 4Ever (you’ve probably noticed, I always have a lot to say). So here’s a rundown of Prince’s compilations from 1993 to 2016, what each gets right, and why even now, we still need a truly definitive set. Check it out at Andresmusictalk below:
Next week, it’s back to the post-For You grind with a couple of light, but pleasant outtakes from mid-1978. See you then!