Tag: minneapolis
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1999
What set Prince apart from his early-’80s peers was his insistence on greeting Judgment Day, not with solemn gravity or mordant gallows humor, but with a seemingly irony-free display of millenarian ecstasy.
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Horny Toad
“Horny Toad” works as a self-aware riff on Prince’s carefully-cultivated reputation as a pervert.
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How Come U Don’t Call Me Anymore?
“How Come U Don’t Call Me Anymore?” feels in many ways like Prince’s Ur-song: a pure expression of the carnal and emotional longing at his core, drawn from the deep well of the African American musical tradition.
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D.M.S.R.
“D.M.S.R.” was Prince’s calling card–a four-word (four-letter!) summation of everything he and his music were about.
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3 x 2 = 6
Just as he’d done for his own Controversy, Prince put the finishing touches on the Vanity 6 album at Sunset Sound in Los Angeles. The last song he recorded for the album, on April 5, 1982, was also the last song on the track list: a gauzy synthpop ballad arithmetically titled “3 x 2 =…
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Nasty Girl
The role that made Denise Matthews a star–even if, as she later admitted, it was one she played reluctantly.