Revisit: Vanity 6

Revisit: Vanity 6

(Featured Image: Cover art for Vanity 6, 1982; photo by Allen Beaulieu, © Warner Bros.)

If you’re a regular reader of this blog, you’re probably wondering where I am with my next Vanity 6 post. Well, with all the hubbub around Celebration 2019, I got the feeling that anything I posted last week would become background noise; then, a few freelance obligations caught up with me, so I had to turn my attention to those. Fortunately, those freelance obligations happen to be related to what I’m doing here–in this case, very related, as I decided to write about the Vanity 6 album for Spectrum Culture’s recurring Revisit/Rediscover feature:

Revisit: Vanity 6

If you’ve been reading my recent d / m / s / r posts, you’ll recognize a lot of familiar themes here; basically I’ve always wanted to evangelize on behalf of this album for a slightly more general audience, so I took this opportunity to regurgitate some of my recent thoughts. But this also gave me the opportunity to start thinking about a few of my upcoming posts, so expect to see a few of these ideas explored in greater depth here. As for when you can expect that, well, I have a review of the Ultimate Rave set in the pipeline for Spectrum on Thursday, so I’ll be back to my regularly-scheduled programming by Friday. See you then!

Wet Dream (Wet Dream Cousin)

Wet Dream (Wet Dream Cousin)

(Featured Image: “The Dream of the Fisherman’s Wife” (“蛸と海女”), Hokusai, 1814.)

Of the three Vanity 6 songs originally recorded for the Hookers project in mid-1981, “Wet Dream” sets itself apart in a few key ways. First, unlike “Make-Up” and “Drive Me Wild,” it isn’t a hard proto-techno dance track, but a glistening synthpop confection in the “Private Joy” vein. And second, rather than Susan Moonsie, it features vocals by Denise Matthews–better known as the woman who put the “Vanity” in Vanity 6.

The singer on the original Hookers version of “Wet Dream” isn’t documented. Prince Vault assumes Jamie Shoop, which is as good a guess as any; it’s also possible that Prince simply laid down his own guide vocals, or cut the basic track as an instrumental. But whatever the specifics, he returned to the song in the spring of 1982 to add vocal overdubs by Vanity and Brenda Bennett. The results, like most Vanity vocal tracks, were mixed.

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Nasty Girl

Nasty Girl

(Featured Image: “D.D. Winters,” a.k.a. Denise Matthews, a.k.a. Vanity, in Tanya’s Island, Alfred Sole, 1980; © Jef Films International.)

While Prince wasn’t nominated for any American Music Awards in 1982, the night of the ceremony would turn out to be fortuitous for another reason. It was at an AMAs after-party on January 25 when he first met Denise Matthews: a 23-year-old model who, under another name, would soon become the most infamous of his 1980s paramours.

Born in Niagara Falls, Ontario to a German Jewish mother and an African American father, Matthews shared with Prince a tumultuous childhood: her parents divorced when she was young, and she and her six siblings grew up without their mother in their lives. In Matthews’ case, however, the trauma also extended to sustained physical and, it’s been alleged, sexual abuse at the hands of her father, who died when she was only 15. “For 15 years, he beat me badly,” she later told Aldore Collier of Jet magazine (Collier 1993 58). “I wish I could see my father in heaven, but I won’t. He’s in Hell” (59).

Despite–or perhaps because of–the low self-esteem she suffered as a result of this troubled upbringing, the stunningly beautiful Matthews went on to pursue a career in modeling: winning the Miss Niagara Hospitality pageant in 1977, and competing for the Miss Canada title the following year. She signed with New York’s Zoli Agency and appeared in a few ad campaigns in the U.S. and Japan. Under the pseudonym “D.D. Winters,” she acted in the 1980 Canadian slasher film Terror Train, starring Jamie Lee Curtis, and had the dubious honor of playing the title role in Tanya’s Island: a truly bizarre erotic fantasy about a model embroiled in a violent love triangle with her painter boyfriend and a bestial, apelike creature (no, seriously, see photo above).

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Podcast: New Power – A Conversation with Takuya Futaesaku, Author of Words of Prince

Podcast: New Power – A Conversation with Takuya Futaesaku, Author of Words of Prince

(Featured Image: Japanese newspaper coverage of Prince’s arrival in the country, September 1986.)

I gave myself a little hiatus from the dance / music / sex / romance podcast after Celebration 2018, but now we’re back in business with guest Takuya Futaesaku, author of the book Words of Prince. Takki and I talk about his book and his experiences as a Prince fan in Japan; it was a pleasure to speak with him, so hopefully it will be a pleasure to listen, too!

You can check out my review of Words of Prince here on the d / m / s / r blog. You can also subscribe to the podcast on your aggregator of choice (iTunesStitcher, Google Play), and consider leaving a review to help spread the word. Special thanks this episode go to Crystal for helping me track down the Japanese shows you’ll hear during the podcast! I’ll be back soon, hopefully next week, with another blog post.

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