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Welcome 2 America, 2011

Welcome 2 America

Even after the news was leaked by a French fansite earlier this year, I was still pleasantly surprised when the Prince Estate confirmed the shelved 2011 album Welcome 2 America for official release in July. Up until now, I’ve found the Estate’s posthumous release strategy to be laudable but predictable: alternating between expanded reissues from Prince’s critical and commercial peak (Purple Rain, 1999, Sign “O” the Times) and sure-thing one-offs engineered for mainstream attention (i.e., the Originals compilation of Prince’s versions of the hits he wrote for others). Even the closest thing to an odd one out, 2018’s Piano & A Microphone 1983, had the distinct commercial advantage of coming from the sessions for his most popular album.

Welcome 2 America, however, is something different: a complete album of almost entirely unreleased material, from a period of Prince’s career that even some of his biggest fans neglect. Case in point, well, me; I’d followed along with Prince’s contemporary music for 2004’s Musicology and 2006’s 3121, but fell off after 2007’s Planet Earth and 2009’s Lotusflow3r/MPLSound/Elixer threefer left me cold (for the record, I’ve since come around on Lotusflow3r and, thanks to friend of the blog Darling Nisi, even Elixer; Planet Earth and MPLSound, not so much). When the next album, 20Ten, wasn’t officially released in the U.S., I didn’t even care enough to try and pirate the MP3s. All of which is to say that Welcome 2 America is even newer to me than to many of the active fans who were following the news of its planned release at the time–and while that was my loss in 2011, a decade later it’s now my gain.

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Podcast

Podcast: Yes – A Conversation with Chambers Stevens

It’s been over half a year since the University of Salford’s interdisciplinary Prince conference, but I keep connecting with people who presented there and whose topics of research are too interesting not to discuss. This time, I’m talking to actor and playwright Chambers Stevens, who has a fascinating theory about the influence of improv training on Prince’s approach to life and performance. But we aren’t just retreading Chambers’ presentation from the Salford conference; he also has some hilarious stories to share about his own run-ins with Prince (and Chaka Khan), as well as some thoughts about the peculiar nature of Prince fandom. We had a lot of fun recording this–hopefully you’ll have fun listening as well!

And speaking of fun, there’s still a little more time to participate in my giveaway for a free copy of Duane Tudahl’s new book Prince and the Purple Rain Era Studio Sessions: 1983 and 1984. The rules are simple: just subscribe to d / m / s / r on your podcast app of choice (logging into iTunes or Stitcher and searching “dance music sex romance” should do the trick), and leave a review. It doesn’t have to be a positive review; feel free to rake me over the coals if you want, just make it well-written. On Tuesday, December 12, I’ll look at all the reviews that have been submitted, pick my favorite–again, not necessarily the most positive!–and announce the winner on the next episode of the podcast. Oh, and speaking of that next episode, this is one you’re not going to want to miss: I was fortunate enough to speak to the one and only Marylou Badeaux, former V.P. of Special Projects at Warner Bros. Records and author of the upcoming memoir Moments: Remembering Prince. Come back and listen to it next week!