Prince Track by Track Presents Stevie Wonder Classics: “Keep on Running”

Prince Track by Track Presents Stevie Wonder Classics: “Keep on Running”

(Featured Image: Back cover of Music of My Mind, © Motown Records.)

I took a much-needed break from both externally- and self-imposed work on Monday and spent all day yesterday catching up, which means I’m tardy in sharing my latest appearance on Darren Husted’s miniseries of track by track podcasts on the “classic era” of Stevie Wonder. So, for those who are interested, here it is now:

Prince Track by Track Presents Stevie Wonder Classics: “Keep On Running”

For those who aren’t interested–and just simply for everyone’s information–a quick update: “Horny Toad” will be up on the blog tomorrow, with “Lust U Always” (the winner of our Patreon poll) following for patrons on Friday. If you want to read the post on this still-controversial track a week ahead of the general public, consider supporting dance / music / sex / romance on Patreon. I know things got inexcusably quiet in October, but I have some good stuff planned from now through the holidays:

Support dance / music / sex / romance on Patreon

In any case, thanks as always for reading!

Patreon Exclusive: Review – The Beautiful Ones

Patreon Exclusive: Review – The Beautiful Ones

(Featured Image: Cover art for The Beautiful Ones by Prince, from Amazon.)

As promised, I’ve sorted through my thoughts on The Beautiful Ones, the new part-memoir, part-scrapbook from the Prince estate, and have made them available for patrons here:

Patreon Exclusive: Review – The Beautiful Ones

TL;DR version for non-patrons: it is what it is, I’m glad it exists, but it’s inescapably dwarfed by the possibilities of what a completed memoir might have been. On the other hand, this is Prince we’re talking about, so who’s to say that the book would have ever come out even if he’d lived to finish it?

I’m sure a lot of readers have also been digging into The Beautiful Ones this last week, so I’m curious to hear your thoughts. Please leave a comment and let me know how you’re processing the book, what you think of it, what’s most (or least) compelling to you, etc.! And of course, if you haven’t bought the book yet, feel free to do so using my Amazon affiliate link.

A few housekeeping-type notes before I go: first, now that I’m pretty sure I have my shit together again, the blog is moving back to a Patreon-first schedule: I’m hoping to have the next post (on “Horny Toad”) up for patrons tomorrow, to appear on the regular blog next week. After that, I’m once again leaving the next post up to patrons: the choice is between “Lust U Always” and “Don’t Let Him Fool Ya,” and as of this writing the former is winning. If you have a dog in this particular fight and want your voice to be heard, you can become a patron at the $5 level or above and vote–preferably by the end of the weekend, as I’ll need to start writing soon!

Finally, you might have noticed that the blog is now ad-free; this is an intentional choice, both because I’m shilling the Patreon enough without involving other revenue streams and because frankly today’s Internet ad rates are too low to justify the ugliness of advertisements all over the website. Thanks for tolerating them while they were here.

I think that’s it for now. Looking ahead, if I can keep to my current schedule, we’ll be closing out 2019 with a real big one. I can’t wait!

Purple Music (Welcome 2 the Freedom Galaxy)

Purple Music (Welcome 2 the Freedom Galaxy)

(Featured Image: Languishing on the inner sleeve of 1999, 1982; photo by Allen Beaulieu, © Warner Bros.)

It’s difficult to pin down exactly when the color purple took on the deep significance it would come to hold in Prince’s creative universe. The reference to a “purple lawn” in his 1976 song “Leaving for New York” was an interesting piece of trivia, but it felt more like an early attempt at Joni Mitchell-esque lyrical impressionism than the genuine birth of a motif. It wasn’t until much later, after the pastel pinks and blues of 1979’s Prince and the stark monochrome of 1980’s Dirty Mind, when the color began to show up in earnest. The album cover for 1981’s Controversy featured a lavender font, with Prince sporting one of his trademark studded trenchcoats in a matching color. And of course, at some point after he moved into his house on Kiowa Trail in Chanhassen, Prince had the exterior painted from its original cream color to an electric purple.

Whether the color’s private importance to Prince was a recent development or a long-simmering fixation, however, it was on his fifth album in 1982 that he finally shared it with the world. 1999 is rife with lyrical references to purple: it’s the color of the title track’s apocalyptic sky; the “rock” he invites listeners to “take a bite of” in “D.M.S.R.”; the “star in the night supreme” to which he compares his lover in “Automatic”; the promised “love-amour” and the “high” he craves in “All the Critics Love U in New York.” The album’s artwork, too, is dominated by purples of all shades: from the deep royal purple of the background to the phallic, red-tinged shades of the lettering, to the cool violet tones of the inner sleeve photo of Prince with his backing band. Yet not even this veritable explosion of purple makes as clear a statement as another song, recorded at some point during the 1999 sessions and titled simply “Purple Music.”

Continue reading “Purple Music (Welcome 2 the Freedom Galaxy)”

Patreon Exclusive: Preliminary Thoughts on the New 1999 Reissue

Patreon Exclusive: Preliminary Thoughts on the New 1999 Reissue

(Featured Image: The very shiny cover of the new “Super Deluxe” edition of 1999; © Warner Bros./NPG Records.)

When I saw yesterday’s official announcement of the long-rumored deluxe reissue of 1999–the album, to state the obvious, which I’m currently working through on the blog–I realized that my private goal to get started on Purple Rain by the end of the year had become, to put it mildly, complicated. If I’m going to hit a scheduling snag, though, a compilation with two new discs of previously-unreleased material is pretty much the best possible way for that to happen. If you’ve been reading my posts this year, you already know that 1999 is one of my favorite Prince albums: easily in the top three. So it goes without saying that I am very, very excited by this release, and have already spent money I don’t technically have to get my paws on that frankly excessive 10-LP configuration.

But I’m also a blogger, which means that I am duty-bound to turn this exciting new announcement into content. So, much like I did with the deluxe Purple Rain reissue over two years ago, I’ve written down some quick thoughts on the (very, very long) track list, which you can now read on the d / m / s / r Patreon:

Preliminary Thoughts on the New 1999 Reissue

Speaking of Patreon, thanks to Freek Claassen for becoming my 18th patron this week! If you’re interested in joining Freek and supporting the blog for just a dollar a month (or more!), you can sign up from the link above. It really does help me make time for writing, has massively increased my productivity, and starting this week, it will also allow you to read my song posts a week ahead of when I release them to the public! If you don’t care to become a patron–and seriously, no hard feelings if that’s the case–you can also support the blog by preordering 1999 Deluxe using these Amazon affiliate links for the CD, 2-LP, 2-CD, 4-LP, 5-CD/1-DVD, or 10-LP/1-DVD versions of the set. If you (quite reasonably) don’t want to line Jeff Bezos’ already well-laden pockets, that’s fine too; I appreciate all of you just for reading. Patrons, look forward to “777-9311” by Friday night; everyone else, see you next week!