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Oh, Hello

I’ve said before that De Angela Duff’s scholarly Prince events–aside from being a lot of fun in general–have been a spur to my creativity and motivation in times when one or both were in short supply. And, while I’ve always meant that, boy oh boy has it never been more obvious than it is today. My last post, from almost nine months ago, was me talking about my inactivity and looking forward to De Angela’s #TripleThreat40 symposium in March (spoiler alert, Past Zach: It was great). Now in this, my only finished creative product since then–not counting my Twitter X thread on “All the Critics Love U in New York” and the handful of Patreon-exclusive videos I deleted when I decided to bring the Patreon era of D / M / S / R to a close–I’ll pick up by… talking about my inactivity and looking forward to De Angela’s Diamonds and Pearls Super Deluxe Virtual Celebration in December!

First, about that inactivity. I’ll keep it brief, as I realize “writer explaining why he hasn’t been writing” is literally no one’s favorite literary genre. I cringed just now when I re-read that aforementioned #TripleThreat40 post: There I was, in the virgin bloom of 2023, talking about how busy I’d been in “the last few months”–a situation that has, if anything, only worsened over the ensuing seven! Again, I won’t belabor the point, but the combined forces of a demanding job, a kid transitioning to middle school, and the general ambience of life, have been a real drain on the creative spirit.

Then, there’s the other part: 2023 has been, to put it mildly, a rough year for the extremely online Prince fan. I’ll leave it to other, more invested parties to deliver the play-by-play, but suffice to say that since the July 2021 release of Welcome 2 America–and, to an even greater degree, since the following summer, when management of Prince’s estate officially transferred from Comerica Bank & Trust to a seemingly uneasy partnership between the artist’s surviving siblings, his one-time lawyer and Source magazine publisher L. Londell McMillan, and music rights management enterprise Primary Wave–the discourse in the fan community has been dominated by a constant cycle of rumors, disappointment, and frustration over the status of the next major posthumous release.

This vibe shift may not have been the reason for my creative doldrums, but it made my decision to withdraw a hell of a lot easier: I deactivated my Patreon, and have abandoned Twitter (or whatever that squirrelly little ketamine gobbler is calling it these days), probably forever (I did, however, just dip my toe into Instagram–do with that news what you will). My dominant emotion through all this has been a sense of relief. I didn’t get into this absurd project out of a passion for analyzing the business spats of a bunch of octogenarians from Minnesota and their handlers, so it’s freeing to not feel the need to give even the most cursory lip service to the fandom’s controversy of the month; to just shut the fuck up and enjoy my life the best I can. I highly recommend it to everyone!

This is why I’m excited for the Diamonds and Pearls Super Deluxe Virtual Celebration (or #DPSDVC, as I will one day remember to abbreviate it without the aid of De Angela’s promo kit email). For the first time since, well, #TripleThreat40, I feel like I finally have the opportunity to come together with my people and talk about, you know, music: Not merch, or the bitrate of the MP3s they gave out at Celebration 2023, or why they should have released Parade Super Deluxe first, or whatever else I imagine they’re still talking about over on that other site but I will, blessedly, never have to know for sure. My panel–which I’ll have the privilege of sharing with Monique Couvson, Kamilah Cummings, Scott Woods, and moderator C. Liegh McInnis–is billed as “The Writers,” which (at least for me) feels like the perfect lens through which to explore this new, expanded configuration of Diamonds and Pearls, and the ways it’s shaping the narrative of Prince’s life and work. I’m still nowhere near finished exploring the set, but I can already say with confidence that there’s a lot to talk about. I hope to see you there!

#DPSDVC will take place virtually over two days: December 9-10, 2023. Unlike some of the other events I’ve been a part of, it is not an academic symposium, but something more in “the tradition of Harlem Renaissance salons, where gifted & creative poets, writers, artists, musicians, activists & scholars came together 2 have conversations & debates in a supportive & welcoming space.” I don’t know about you, but that sounds like something I could use right about now! You can register for free using the link below:

#DPSDVC Diamonds and Pearls Super Deluxe Virtual Celebration Registration

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Podcast

Podcast: Everybody Shut Up, Listen to the Band – Felicia Holman and Harold Pride on the Salford Purple Reign Conference

Settle in, folks, because today we’ve got not one, but two presenters from this spring’s Prince conference at the University of Salford: interdisciplinary artist/activist Felicia Holman and independent scholar/activist Harold Pride. Both were part of the organic community of Black artists and academics who came together in Manchester and, each in their own way, helped to reclaim Prince’s legacy as a specifically African American artist. The three of us talk about that, as well as their specific papers–Harold’s on the underrated, short-lived “Band with No Name” from 198788; Felicia’s on Prince’s autodidacticism and its connection to traditions of Black self-determination–and, as usual, a lot of other things along the way. It’s a great conversation that could have easily been twice as long; I hope you enjoy it as much as I did!

I still have a handful of these interviews lined up, and will be posting them at least through Labor Day. Appearances to the contrary, I’m also still writing: I’ll be back to the ol’ grind next week. See you then!