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Prince Track by Track: “She Spoke 2 Me”

Let me actually start with an update: I’m now about halfway through my second post on “Controversy,” which means it will be on track to go live next week. Very excited to share it; the first “Controversy” post was one of my favorite things I’ve written for d / m / s / r, and this one feels to me like a worthy followup. In the meantime, here’s another episode of the Prince: Track by Track podcast, where host Darren Husted and I talk about one of my favorite deep cuts of the ’90s:

Prince Track by Track: “She Spoke 2 Me”

Again, I’ll be back with more next week! See you all soon.

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Dystopian Dance Party: The Prince Issue Podcast with Guest Erika Peterson

As you may or may not know, Dystopian Dance Party is the other, more irreverent project I do with my sister Callie. We recently launched a physical magazine, the first issue of which is dedicated to art and writing inspired by the music of Prince. On this episode of the DDP podcast, Callie and I are joined by our friend Erika Peterson to talk about her work for the magazine–an exhaustive guide to the 3 Chains O’ Gold film–the most absurd/surreal moments of Celebration 2018, and our ongoing (one-sided) beef with Questlove. It’s definitely a bit looser and sillier than the average d / m / s / r podcast, but if you enjoy my other stuff, you’ll probably enjoy this, too:

Dystopian Dance Party: The Prince Issue Podcast with Guest Erika Peterson

And if you can’t get enough of Erika, remember that she also recently appeared on our friend KaNisa’s excellent Muse 2 the Pharaoh podcast. Take a listen if you haven’t already:

Muse 2 the Pharaoh #1

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Prince Track by Track: “Daddy Pop”

Happy New Year, everyone! I’m starting 2018 more excited about this project than ever, and I think you’ll enjoy what I have planned. But first, here’s something I did for another chronological Prince project: Darren Husted’s excellent podcast Prince: Track by Track. Our topic this time around is a bit of a guilty pleasure: the Diamonds and Pearls album cut “Daddy Pop.” But you should still listen, if only to hear my surprisingly spirited defense of Tony M:

Prince Track by Track: “Daddy Pop”

While I’ve got you here, I guess I might as well talk about a few of those things I have planned for the months to come. First up will be another, imaginative look at what might have been for Prince’s relationship with André Cymone; then, starting next week, I’ll be jumping into the songs that became the debut album by Prince’s first official protégé group, the Time. On the podcast, you can also look forward to an interview with Kimberly Ransom, whose work appeared both at last spring’s University of Salford Prince conference and in last fall’s special Prince issue of the Journal of African American Studies. I’m also in the early brainstorming period for a series of podcasts on each of Prince’s albums I’ve covered in writing so far, beginning with the 40th anniversary of For You in April. If you have any ideas for that–including suggestions for possible guests–you know where to find me.

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Podcast: Everybody Shut Up, Listen to the Band – Felicia Holman and Harold Pride on the Salford Purple Reign Conference

Settle in, folks, because today we’ve got not one, but two presenters from this spring’s Prince conference at the University of Salford: interdisciplinary artist/activist Felicia Holman and independent scholar/activist Harold Pride. Both were part of the organic community of Black artists and academics who came together in Manchester and, each in their own way, helped to reclaim Prince’s legacy as a specifically African American artist. The three of us talk about that, as well as their specific papers–Harold’s on the underrated, short-lived “Band with No Name” from 198788; Felicia’s on Prince’s autodidacticism and its connection to traditions of Black self-determination–and, as usual, a lot of other things along the way. It’s a great conversation that could have easily been twice as long; I hope you enjoy it as much as I did!

I still have a handful of these interviews lined up, and will be posting them at least through Labor Day. Appearances to the contrary, I’m also still writing: I’ll be back to the ol’ grind next week. See you then!

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Prince (Protégé) Summer: Sheila E

This Saturday on Andresmusictalk, I’m stretching the definition of the “Prince protégé” a bit to talk about Sheila E: Prince’s longtime collaborator, on-and-off sidewoman, briefly his fiancée, and most recently, perhaps the most prominent carrier of his musical legacy. Check it out here:

Prince (Protégé) Summer: Sheila E

Back to the For You grind on Tuesday…see you then!