Podcast: Prince (1979) Revisited

Podcast: Prince (1979) Revisited

(Featured Image: Cover art for Prince, 1979; photo by Jurgen Reisch, © Warner Bros.)

October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.

If you want to keep in the loop for our forthcoming Dirty Mind podcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunesStitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.

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Nadira

Nadira

(Featured Image: “Private Moment,” Joseph Szabo, 1973.)

Well, it’s the first post of the new year, and once again I’m not as far along as I’d hoped to be; there are still a few loose ends from 1978 to tie up before we move on to the next “chapter.” But those loose ends are at least more substantial than the ones we covered last month, so hopefully they’ll be worth the wait. Today’s post, for example, is about “Nadira”: a song that feels in many ways like a more fully-realized version of last month’s “Donna”–right down to its namesake, an actual person this time rather than a fictional construct.

Prince’s cousin and former Grand Central drummer Charles Smith described the real-life Nadira as “a girlfriend, a real important one. Right after the first album came out, he started having her around” (Nilsen 1999 43-44). Along with high school sweetheart (and future Purple Rain extra) Kim Upsher, she’s one of the earliest known figures in Prince’s notorious revolving door of female companions and muses. But that’s just about all we know about her–and the song she inspired doesn’t offer many more clues. Prince’s lyrics are typical of his early songwriting, quivering with a combination of nerves and lust in the face of a vaguely-defined object of desire: “When I first looked into your eyes / That’s when I knew that I wanted you” (see also: “Ever since I met you, baby, I’ve been wanting to lay you down,” “In Love”; “I took one look at you / And all the things that we could do / Dance within my head,” “I’m Yours”). And, like so many of his demos from this era, the song doesn’t exactly overstay its welcome. Clocking in at under two minutes, it’s just a single, short verse and an equally brief chorus: “Oh, Nadira / Now that you know I love you, baby, what are you gonna do?”

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