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Roundup Posts

D / M / S / R Year Six in Review

Already? Are you kidding me? Even more than usual, this anniversary really snuck up on me, and, fair warning, you’ve caught me in a philosophical mood. So let’s get the cold, factual analysis out of the way first.

I’m actually pleasantly surprised to look back at my progress since our last anniversary post: a total of 15 proper song posts to last year’s 12, plus one bonus post on “Hot Summer.” Technically, that’s only about half my pure output from 2020-2021; but it was more focused on the actual “mission” of this project, which was my main goal. I’m happy to say that I finished two “chapters” this year:

Ephemera, 1983
Ice Cream Castle, 1984

I also technically doubled my podcast output from the previous year–which is, to be fair, slightly less impressive when you consider that last year I only managed one:

40 Years of The Time: A Conversation with Darling Nisi and Harold Pride

All the Critics Love U: A Conversation with Jack Riedy, Author of Electric Word Life

Okay, now here comes the philosophical part, so feel free to check out. Every year, I say that I’m no longer sweating my progress (or lack thereof), and every year I (mostly) mean it; but I’d also be lying if I said that I don’t occasionally feel like a funky Sisyphus rolling a (purple) rock up the hill. No sane person commits to writing an extensive mini-essay about every Prince song ever released (and some not released); if 2016 me had had the foresight to think through the scope beyond, “well, Chris O’Leary did Bowie in about seven years, so I should be able to do Prince in 10, right?”, we would not be having this conversation today. For better or worse, I made the decision to launch this blog with my signature cocktail of impulsiveness, all-or-nothing thinking, and complete disregard for quaint notions like “practicality” and “audience.”

Put in those terms, D / M / S / R has succeeded beyond my wildest dreams. The audience I’ve built here is the largest and most dedicated of any project I’ve ever done. I’ve made friends from around the world I never would have met otherwise. I’m pretty sure Jill Jones liked one of my tweets. I’m living the dream! But as I look forward to a third year stranded in the Purple Rain era (“Baby I’m a Star” was published in July 2020!), it can be hard to remember that.

I don’t bring all this up to throw myself a pity party, or even to fish for validation, but just for the sake of transparency. I also want to share my intended path forward. The obvious answer is “pick up the pace,” and I really am trying to do just that. But I’m also highly resistant to the mindset that quality critical writing is just “content” that can be manufactured and pushed out on a rigid schedule. To set some internal goals for myself, I’ve looked ahead and determined that if I put out roughly one song post every two weeks, I’ll be finished with Purple Rain by the end of March. The specific song order is still subject to change, but as a bonus, my projected schedule also has me posting “Another Lonely Christmas” in mid-December, and you know I can’t resist a good holiday tie-in. Can I make this happen? Frankly, I have no idea! But I’m going to try.

Here’s the thing, though: I’m still spending almost three years on the Purple Rain era alone–and that’s being generous and counting Around the World in a Day as its own “era.” At this rate, Sign “O” the Times could easily be a five-year project. In my first year-in-review post five years ago(!), I jokingly projected an end date of 2036. I think it’s time to formally say that that is an optimistic estimate. And obviously, in a project of this scope, there’s always the danger that I might never finish at all; sometimes I feel a little like Sufjan Stevens, “promising” 50 concept albums about each of the U.S. states and then throwing in the towel after two.

I know a lot of people would tell me, yes, you dumbass, of course you’ve bitten off more than you can chew. Just pack it in and write a fucking book. Or at least adjust your scope! Literally no one asked you to do this! And I’m not gonna lie, those thoughts have crossed my mind, many times, in the last few years. But whenever I think about changing course, it feels like a defeat. Part of what attracts me to this project is its sheer, absurd scope. Lots of folks, talented ones, have done amazing, ambitious, discography-spanning Prince projects; but no one else is arrogant or self-destructive enough to do this. If I wanted to do something reasonable and achievable, I would have shopped some sample chapters to an agent. Or learned to code.

In conclusion, here is my promise: I’m going to keep doing this until I no longer have the passion for it, whether that’s tomorrow (don’t worry, it won’t be tomorrow), in 2036, or on my deathbed. I will keep experimenting and trying to find a pace that is sustainable, but won’t lead to me spending a full decade on Emancipation. I will, at minimum, get us out of fucking Purple Rain as fast as I possibly can. And I hope that you’ll keep reading. In the weeks and months to come, I will be putting out some fun stuff, including a new, hopefully low-effort idea that should (fingers crossed) breathe some life into my Patreon offerings. Moments of self-doubt aside, I’m feeling inspired and grateful to be part of such a warm, gracious, and generous community. Thanks for reading, and see you soon!

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Podcast

Podcast: All the Critics Love U – A Conversation with Jack Riedy, Author of Electric Word Life

As promised/threatened, we’re back to a monthly schedule on the D / M / S / R podcast! For this month’s episode, it was my pleasure to speak to music writer Jack Riedy (Pitchfork, GQ, VIBE) about his new book Electric Word Life: Writing on Prince 2016-2021. It was a really fun conversation, running through each of the pieces collected in his book and covering everything from Prince’s influence on Chicago house to the degree to which the Batman album goes (spoiler: it’s hard). Check it out, and if you’re so inclined, get yourself a copy of Jack’s book! It’s a great read and highly recommended.

By the way, I caught this too late to mention it “on air,” but thanks so much to cittalente for their review on Apple Podcasts! If you’re interested in reviewing D / M / S / R on your podcast service of choice, please do, and I will read it on the next episode–which, if all goes to plan, should be dropping next month.

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Welcome 2 America, 2011

Hot Summer

We’re now exactly one week out from the release of Prince’s shelved 2011 album Welcome 2 America–i.e., just enough time for Sony Legacy to push out one last promotional single to streaming services and, uh, TikTok. As a certified Old, I don’t have much to say about the last bit; but I can certainly share my thoughts about the song itself.

“Hot Summer” is one of a handful of tracks on Welcome 2 America that stretches the definition of “previously unreleased.” Prince premiered the song on Minnesota Public Radio station 89.3 The Current on his 52nd birthday, June 7, 2010, shortly after a heat wave pushed the temperature in Minneapolis to a record-breaking 95 °F on May 24. Initial reactions were, to put it kindly, mixed. Music blog Stereogum compared the song variously to Rick Springfield’s “Jessie’s Girl” (!) and Hanna-Barbera mascot-suit bubblegum act the Banana Splits (!!), before concluding, “At least the lyrics are positive.” A 35-page thread on prince.org began with tepid praise but swiftly descended into mayhem, with arguments over whether the woman singing the hook was Janelle Monae (it’s Liv Warfield) and much hand-wringing over Prince’s “decline in writing ability.” Perhaps the most trenchant burn came a little less than two years later, when ex-Family frontman Paul Peterson responded to a subliminal swipe from Prince by remixing the track into a parody ad for Midwestern home improvement chain Menards.