It’s a well-known fact that when Prince gave songs to other artists, he would cut his own recordings with guide vocals–not “demos” in the traditional sense so much as complete alternate takes, with production values in many cases equal to the versions that saw release. Almost as well-known, at least among bootleg enthusiasts, is the fact that Prince’s versions of these songs tended to be better than the “covers.” That makes the latest posthumous release by Warner Bros. Records and the Prince Estate, Originals, something of a no-brainer: here are 15 songs we already know and (mostly) love, preserved as they might have been had Prince decided to keep them for himself.
This Saturday on Andresmusictalk, I’m stretching the definition of the “Prince protégé” a bit to talk about Sheila E: Prince’s longtime collaborator, on-and-off sidewoman, briefly his fiancée, and most recently, perhaps the most prominent carrier of his musical legacy. Check it out here:
Back to the For You grind on Tuesday…see you then!
Well, folks, it’s Saturday afternoon, and that means another guest post about Prince protégés on Andresmusictalk. This week, I’m digging in to the short, widely-misunderstood discography of Vanity and Apollonia 6. As with last Saturday’s post on the Time, there’s a lot left to say, but just consider it a preview for a more extended discussion on this blog:
You can also check out the bonus guest post from yesterday, in which Andre and I discuss our favorite 12″ Prince singles. I think my favorite might be “Mountains”; what’s yours?
On Tuesday, I’ll be back with our first piece of ephemera from the For You era. Have a great weekend!