There are, it’s been advertised, 45 previously-unissued studio tracks on next month’s Super Deluxe Edition of Sign “O” the Times; and Warner Bros. appears to be hell-bent on issuing as many of them as possible to digital platforms before the box set’s release. By last Thursday’s surprise drop of an “early vocal run-through” of the album track “Forever in My Life,” I was starting to feel like I’d been opening all my Christmas presents early. But hey, it’s not like I have the self-control to not listen to a newly-unveiled Prince outtake as soon as it comes out, so let’s tear off that wrapping paper and get to it.
Last Thursday, after weeks of rumors and leaks, it finally became official: the next expanded reissue from Warner Bros. and the Prince Estate is Sign “O” the Times, and it’s a doozy: 8 CDs (13 LPs, for the wax-inclined) and a DVD covering the full breadth of Prince’s output from late 1985 to early 1987. I won’t be “officially” writing about this music until 2021 at the earliest (more on that later), but damned if I can’t share some preliminary thoughts about it now. Here they are, disc by disc (and, in the case of the Vault discs, track by track)…
As usual, I took the last couple weeks of December off for the holidays, which meant I didn’t post the links to my last two appearances on Darren Husted’s Prince: Track by Track podcast. So here they are now: one of my favorite tracks from Prince’s extended universe, as well as one of the most forgettable. I’ll let you guess which one is which:
With this bit of business out of the way, I’m now officially on track to kick off the blog for 2019. We’ll start tomorrow with a belated post from one of our alternate timelines, then it’s back to the Time’s second album next week. Happy New Year!
Over the weekend, I once again had the opportunity to appear on Darren Husted’s podcast Prince: Track by Track. The topic this time around was “Life Can Be So Nice,” one of my dark-horse favorite tracks from one of my dark-horse favorite albums, Parade:
I was unfortunately too slow to get on Darren’s schedule for Sign “O” the Times, so the next time I appear on Track by Track will be next month, talking about another dark horse favorite from Lovesexy. In the meantime, you’ll just have to settle for hearing my voice on my own podcast–the next episode of which will be live by the end of next week.
I have to begin with another apology: I had hoped to get this last installment of the podcast up early in the week, but I’ve been busy with job interviews, house hunting, and most recently, an illness that is definitely audible on the outro I recorded last night. But here, at last, is the final full installment of my now month-old conversation with writer, philosopher, and fellow Prince obsessive Jane Clare Jones. This is the one we’ve been building up to for the last month: a reckoning with the psychological factors that led to last year’s deeply tragic, avoidable death. But in case you’re concerned this will be prurient muckraking in the Prince: The End/When Doves Cry tradition, please know that it’s coming from a place of genuine love, and is grounded in research rather than wild speculation. And if you’re also (justifiably) concerned that it’s going to be a depressing slog, I promise it’s not all as grim as it might sound.
And with that, the first wave of the d / m / s / r podcast is over! Jane will be back, probably sometime next month, to talk about the Purple Reign interdisciplinary conference at the University of Salford; I also still have a short, lighthearted chunk of our original conversation that didn’t quite fit this episode that I’d like to post at some point. But other than that, the future is a blank slate. I’d love to hear your thoughts on where to go with the podcast–topics to discuss, suggested guests, etc.–because it seems a shame to go to the trouble of making a feed, etc. just for one month of episodes. I hope you’ve enjoyed these as much as I have. Thanks!