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Ice Cream Castle, 1984 Roundup Posts

Roundup: Ice Cream Castle, 1984

Can you believe that the last time we had a proper album roundup it was for 1999, way back in March of 2020? On second thought, don’t answer that. I know my snail’s pace as a writer is a recurring theme in these updates, and at this point, I’m not even apologizing for it; you know what you signed up for. Still, it feels good to have another milestone in the rearview mirror, even if there’s still an awful lot of road ahead of us.

It may or may not have been evident from my individual posts, but Ice Cream Castle is an album I’m pretty ambivalent about; it has some undeniably classic tracks, to be sure, but it’s a clear step down from the highs of What Time is It? (though, to be fair, what isn’t?). With this in mind, to the Time diehards who will likely quibble with the song rankings below, I apologize in advance:

6. “Chili Sauce I mean, no surprises here. Contrary to whatever reputation I might have acquired, I actually have a pretty high tolerance for Morris Day’s schtick; but this track pushes that tolerance to the limits, spreading an amusing monologue from the Purple Rain movie impossibly thin over damn near six minutes. Throw in Prince’s Mickey Rooney-caliber “Chinese waiter” voice, and you’ve got a strong contender for the worst Time track ever. But you know what? I still don’t skip this song when I play the album; I guess Novi Novog’s viola solo is just that bewitching.

5. “My Drawers Now here’s where I might catch some flack. This isn’t a bad song by any means; after the two movie numbers, it’s arguably the album’s strongest contender for a “classic” Time track. But the formula is starting to get stale, and who wants stale drawers?

4. “Ice Cream Castles The definition of “points for effort.” I would never try to argue that “Ice Cream Castles” is a more quintessential Time song than “My Drawers”; but three albums in and with half of the original lineup scattered to the four winds, I guess I’m more intrigued by their missed potential for experimentation. Imagine a whole album of the Time trying to sound like the Fixx; it may not have been great, but it would have been a hell of a lot more interesting than “The Oak Tree”!

3. “The Bird Speaking of “The Oak Tree,” here’s Morris and company making it preemptively obsolete, and almost blowing the Revolution off the stage to boot. As iconic as this performance is, however, the main thing it does for me is remind me what a drag it is that we never got an official Time live album. Even on their last legs as a group, with permanently crippled morale, they still tear the roof off the sucker; but there are probably 10 other songs I’d rather have heard them play while they were at the peak of their powers.

2. “If the Kid Can’t Make You Come My obligatory dark horse pick. We all know how I feel about Time ballads not called “Gigolos Get Lonely Too,” but this one took me by surprise with the sheer pleasure of hearing Prince and Jesse groove together on the instrumental. If we didn’t also have to hear Morris simulating orgasm, this may have even ended up as my favorite cut on the album… but, well, you can’t always get what you want.

1. “Jungle Love Look, I can’t always be an iconoclast. I’m a simple man at heart, which means that when this comes on in the grocery store, I’m doing the dance in my spirit if not in my body. The Time may have been on life support when they put out “Jungle Love”; but what better way to go out?

A little quick math, before we go: I averaged 1,703 words per song on my Ice Cream Castle posts, which means at the very least that I had more to say about this album than either What Time is It? (1,377 words average) or The Time (a mere 833 words average). Will I break this record with Pandemonium? We’ll find out, eventually; but for now, it’s back to the Purple Rain-era ephemera with a track I, at least, have been looking forward to for a while. Yes, I’m obviously talking about “Sugar Walls.” Until then, adieu!

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Ice Cream Castle, 1984

Ice Cream Castles (Old and Ignant)

After the completion of “My Drawers” on January 12, 1984, the Time had five new songs in the can–enough to form the core of their third album. But they were still missing the pièce de résistance. For this, Prince turned once again to a half-finished song by Jesse Johnson: a funky jam called “Old and Ignant” which the guitarist had demoed with singer Morris Day. “Prince kept telling me[,] ‘It’s so cool how you played the bass on the AND instead of the 1,’” Johnson shared on Facebook in 2014. “[G]reat compliment[,] even though at that time I didn’t know what he was talking about” (Johnson March 21).

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1999, 1982

1999

By mid-July of 1982, Prince had completed work on the album that would become 1999, with just one significant exception: “1999,” the song, was nowhere to be seen. When Prince played a rough mix of the album for his manager Bob Cavallo that month, he got a cooler reception than he anticipated.

“‘This is a great album, but we don’t have a first single,’” Cavallo recalled telling Prince. “‘We have singles that’ll be hits, but we don’t have a thematic, important thing that can be embraced by everybody, different countries, et cetera.’” In response, Prince “cursed me, and he went away–but he didn’t force me to put it out. Two weeks later, he came back and he played ‘1999,’ and that became the title of the album” (Light 43).