October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.
If you want to keep in the loop for our forthcoming Dirty Mindpodcast, you can subscribe to dance / music / sex / romance on your aggregator of choice (iTunes, Stitcher, or Google Play); and if you like what we’re doing and want to spread the word, please leave us a review! In the meantime, the d / m / s / r blog will return next week with one last track from 1981.
As you may or may not know, Dystopian Dance Party is the other, more irreverent project I do with my sister Callie. We recently launched a physical magazine, the first issue of which is dedicated to art and writing inspired by the music of Prince. On this episode of the DDP podcast, Callie and I are joined by our friend Erika Peterson to talk about her work for the magazine–an exhaustive guide to the 3 Chains O’ Gold film–the most absurd/surreal moments of Celebration 2018, and our ongoing beef with Questlove. It’s definitely a bit looser and sillier than the average d / m / s / r podcast, but if you enjoy my other stuff, you should enjoy it:
For those of you who haven’t picked up the magazine yet, we’re also offering the opportunity to get it for free, along with a set of rewards otherwise exclusively made available to our Kickstarter backers. All you have to do is follow Dystopian Dance Party on Twitter, Facebook, Instagram, and/or Tumblr, and share a link to this episode with us tagged so we know you did it. Toward the end of May, we’ll choose one or two people to receive a free copy of the magazine, a sheet of custom-designed stickers, three buttons, and a poster of the cover art by Callie. None of this stuff is available anywhere else, so take advantage of this chance to get your hands on it!
And if you can’t get enough of Erika, remember that she also recently appeared on our friend KaNisa’s excellent Muse 2 the Pharaoh podcast. Take a listen if you haven’t already:
Finally, an update on my next post for d / m / s / r. I had been planning to get something out by the end of the week, but I decided to make some changes which resulted in a delay: basically, I was writing separate posts on “The Stick” and “Cool,” but I decided to combine the two and just write a longer post on “Cool” that also touches on “The Stick” (and “After Hi School,” in case anybody was waiting for that). I fully expect to have this post out next week–which means that we’re finally going to be done with the Time’s first album! After that, we’ll turn to another 1981 outtake, and then back to Controversy. I also have plans for a few podcasts in the pipeline, so there’s plenty to look forward to!
I’ve been trying to squeeze in at least one guest spot on Darren Husted’s Prince: Track by Track podcast per album, and for The Black Album I couldn’t resist taking on what is arguably its goofiest track, “Dead on It.” Listen to Darren and I dissect Prince’s skills on the mic here:
Happy New Year, everyone! I’m starting 2018 more excited about this project than ever, and I think you’ll enjoy what I have planned. But first, here’s something I did for another chronological Prince project: Darren Husted’s excellent podcast Prince: Track by Track. Our topic this time around is a bit of a guilty pleasure: the Diamonds and Pearlsalbum cut “Daddy Pop.” But you should still listen, if only to hear my surprisingly spirited defense of Tony M:
While I’ve got you here, I guess I might as well talk about a few of those things I have planned for the months to come. First up will be another, imaginative look at what might have been for Prince’s relationship with André Cymone; then, starting next week, I’ll be jumping into the songs that became the debut album by Prince’s first official protégé group, the Time. On the podcast, you can also look forward to an interview with Kimberly Ransom, whose work appeared both at last spring’s University of Salford Prince conference and in last fall’s special Prince issue of the Journal of African American Studies. I’m also in the very, very early brainstorming period for a series of podcasts on each of Prince’s albums I’ve covered in writing so far, beginning with the 40th anniversary of For Youin April. If you have any ideas for that–including suggestions for possible guests–you know where to find me.