Press Rewind: “When Doves Cry”

Press Rewind: “When Doves Cry”

(Featured Image: Prince practices social distancing sans the Revolution during the “When Doves Cry” music video shoot, 1984; photo by Larry Williams.)

As we all continue to figure out how the hell we’re supposed to get through this quarantine with some level of normalcy, please feel free to spend a little over an hour with me and Jason Breininger (not in the same room, thankfully) as we go in-depth on “When Doves Cry” for his Press Rewind podcast:

Press Rewind: “When Doves Cry”

Listening back, it strikes me how much these lyrics are about touching and other forms of physical intimacy, and how wildly different those concepts sound today than they did 36 years (or two weeks) ago. May we all look forward to a day when “the sweat of your body covers me” conjures images of more than just COVID-19-spreading droplets. In the meantime, stay safe (and stay home).

Don’t Let Him Fool Ya

Don’t Let Him Fool Ya

(Featured Image: Automotive engineer/cocaine trafficker John DeLorean and wife Cristina Ferrare, circa 1981; photo by Tony Korody/Sygma.)

Of the many unreleased tracks Prince recorded in 1982–enough to fill at least two additional double LPs beyond the one that actually did come out, as the new Super Deluxe edition of 1999 demonstrates–“Don’t Let Him Fool Ya” is not the most exciting; nor is it the rarest, the most ambitious, or the most thematically compelling. As the 500 Prince Songs blog noted back in 2017, it’s “barely even a song, more a tantric joy in bass-led repetition.” To say that it’s the kind of thing Prince could have written in his sleep does Prince, and sleep, a disservice; after all, we know by his own admission that “Little Red Corvette” came to him between “3 or 4 catnaps” (Dash 2016).

But for all that, it’s easy to see why “Don’t Let Him Fool Ya” was chosen as a pre-release single to promote Warner Bros.’ aforementioned 1999 reissue, following a live version of the title track from Detroit’s Masonic Temple and the live-in-studio first take of “International Lover.” Simply put, “Don’t Let Him Fool Ya” is a banger, with an infectious bassline and a sparkling, rhythmic keyboard part not unlike the one from the Time’s “I Don’t Wanna Leave You.” And while it’s also clearly a throwaway–the chorus literally goes, “Hey, hey / Hey, hey / Hey, hey, hey, hey”–I defy anyone to get through it without at least a head bob and a smile.

Continue reading “Don’t Let Him Fool Ya”

Lust U Always (Divinity)

Lust U Always (Divinity)

(Featured Image: “The Nightmare,” Henry Fuseli, 1781.)

Note: Please be advised that this post contains frank and uncensored discussion of lyrics which explicitly reference sexual assault. 

There are any number of reasons why Prince may have left a given song in the Vault. There were, of course, the basic limitations of recorded media formats: by 1982, Prince was producing more music than could possibly be accommodated on two 12-inch sides of vinyl–hence why 1999 ended up as a double album, and why his singles increasingly came backed with non-LP B-sides. There were instances where a certain song may have been deemed too similar to another that ended up making the cut on the album: see, for example, “Turn It Up,” which is believed to have been left off 1999 in favor of “Delirious.” There was also an even simpler explanation, per Prince himself: “If any track is unreleased, it’s because it’s not done,” he reportedly told Dan Piepenbring, the coauthor of his unfinished memoir, in 2016 (Prince 2019 16).

The particular song Prince was discussing with Piepenbring was “Extraloveable,” a widely-bootlegged track recorded at the beginning of April 1982 and not officially released until 2011. Taking Prince at his word that the song wasn’t “done” until Andy Allo rapped on it, I won’t be writing about it until we get to that point in our chronology; however, I will posit a theory that there was another reason why it didn’t see the light of day. As anyone who’s heard the original version can attest, the song takes a turn in the last minute and a half or so. After six minutes of gently cajoling the listener to take a bath with him, Prince suddenly becomes menacing: “I’m on the verge of rape,” he grunts, repeating himself for good measure. A blast of discordant synthesizer noise takes over the mix, as if the song itself has begun to malfunction. “I’m sorry,” Prince intones in his detached android voice over the ongoing din, “but I’m just gonna have to rape you. Now are you going to get into the tub, or do I have to drag you? Don’t make me drag you.”

Prince was obviously no stranger to aberrant expressions of sexuality at this point in his career: on “Horny Toad,” as we’ve discussed, he had imagined himself as an obscene phone caller, a groper, and a stalker; perhaps most notably, “Sister” had described an incestuous relationship of dubious consent. But the former song was obviously played for laughs, while the latter crucially depicted Prince as the victim of abuse, not the perpetrator. Interrupting an exuberant, sexy frolic to outright threaten sexual violence was clearly a bridge too far, even in the thick of Prince’s “Rude Boy” era. Which makes it all the more surprising that he did it again with another unreleased track recorded in the same year, “Lust U Always.”

Continue reading “Lust U Always (Divinity)”

Patreon Exclusive: Review – The Beautiful Ones

Patreon Exclusive: Review – The Beautiful Ones

(Featured Image: Cover art for The Beautiful Ones by Prince, from Amazon.)

As promised, I’ve sorted through my thoughts on The Beautiful Ones, the new part-memoir, part-scrapbook from the Prince estate, and have made them available for patrons here:

Patreon Exclusive: Review – The Beautiful Ones

TL;DR version for non-patrons: it is what it is, I’m glad it exists, but it’s inescapably dwarfed by the possibilities of what a completed memoir might have been. On the other hand, this is Prince we’re talking about, so who’s to say that the book would have ever come out even if he’d lived to finish it?

I’m sure a lot of readers have also been digging into The Beautiful Ones this last week, so I’m curious to hear your thoughts. Please leave a comment and let me know how you’re processing the book, what you think of it, what’s most (or least) compelling to you, etc.! And of course, if you haven’t bought the book yet, feel free to do so using my Amazon affiliate link.

A few housekeeping-type notes before I go: first, now that I’m pretty sure I have my shit together again, the blog is moving back to a Patreon-first schedule: I’m hoping to have the next post (on “Horny Toad”) up for patrons tomorrow, to appear on the regular blog next week. After that, I’m once again leaving the next post up to patrons: the choice is between “Lust U Always” and “Don’t Let Him Fool Ya,” and as of this writing the former is winning. If you have a dog in this particular fight and want your voice to be heard, you can become a patron at the $5 level or above and vote–preferably by the end of the weekend, as I’ll need to start writing soon!

Finally, you might have noticed that the blog is now ad-free; this is an intentional choice, both because I’m shilling the Patreon enough without involving other revenue streams and because frankly today’s Internet ad rates are too low to justify the ugliness of advertisements all over the website. Thanks for tolerating them while they were here.

I think that’s it for now. Looking ahead, if I can keep to my current schedule, we’ll be closing out 2019 with a real big one. I can’t wait!