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Dystopian Dance Party: The Prince Issue Podcast with Guest Erika Peterson

As you may or may not know, Dystopian Dance Party is the other, more irreverent project I do with my sister Callie. We recently launched a physical magazine, the first issue of which is dedicated to art and writing inspired by the music of Prince. On this episode of the DDP podcast, Callie and I are joined by our friend Erika Peterson to talk about her work for the magazine–an exhaustive guide to the 3 Chains O’ Gold film–the most absurd/surreal moments of Celebration 2018, and our ongoing (one-sided) beef with Questlove. It’s definitely a bit looser and sillier than the average d / m / s / r podcast, but if you enjoy my other stuff, you’ll probably enjoy this, too:

Dystopian Dance Party: The Prince Issue Podcast with Guest Erika Peterson

And if you can’t get enough of Erika, remember that she also recently appeared on our friend KaNisa’s excellent Muse 2 the Pharaoh podcast. Take a listen if you haven’t already:

Muse 2 the Pharaoh #1

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Prince Track by Track: “Dance On”

First, allow me to make my customary apology for how quiet it’s been around these parts lately: October was a disaster for me on several fronts, and my free time has taken an according hit. Fortunately, Darren Husted has come through with my latest guest appearance on his chronological Prince podcast, Prince: Track by Track. We’re talking about one of my favorite dark-horse cuts from Lovesexy, “Dance On”:

Prince Track by Track: “Dance On”

I believe this will be my last appearance on Track by Track in 2017–in the meantime, look out for some more stuff in the coming weeks on d / m / s / r!

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Podcast: I Know That the Lord is Coming Soon – Erica Thompson on the Salford Purple Reign Conference

It’s been just under two months since I started interviewing presenters from this spring’s interdisciplinary Prince conference at the University of Salford, and I’ve been absolutely thrilled with the results. But all good things must come to an end, so I had planned to make this chat with writer Erica Thompson the last of my post-conference podcasts. It would have been a great choice, too; Erica’s presentation was the result of many years of research for a book project on Prince’s spiritual journey, so our conversation was less about the conference in particular and more about her findings more generally: a nice segue into future, less Manchester-centric episodes.

But just when I think I’m out, they keep pulling me back in. Contrary to my own statements in this episode, I have already set up another interview with a few presenters from one of the conference’s gender and sexuality panels. So basically, expect me to keep interviewing scholars from the Purple Reign conference until the next milestone in Prince scholarship comes along. And in the meantime, please enjoy my and Erica’s conversation about the importance–and, sometimes, difficulty–of understanding Prince’s religious faith in relationship with his art.

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Podcast: Vous êtes très belle – Joni Todd and Karen Turman on the Salford Purple Reign Conference

Just under two weeks ago, I had the pleasure of speaking with two more presenters from the University of Salford’s interdisciplinary Prince conference: Joni Todd and Karen Turman, who you may know by reputation as the “esoteric French panel.” But if all that sounds too highbrow, don’t worry; we mostly talked about Prince’s impeccable fashion sense and uncompromising artistic vision, just with a lot of references to Charles Baudelaire and Marcel Duchamp. It’s probably the only Prince podcast you’ll hear that mentions both “Pussy Control” and Walter Benjamin, and that’s the best endorsement I can give.

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Podcast: Everybody Shut Up, Listen to the Band – Felicia Holman and Harold Pride on the Salford Purple Reign Conference

Settle in, folks, because today we’ve got not one, but two presenters from this spring’s Prince conference at the University of Salford: interdisciplinary artist/activist Felicia Holman and independent scholar/activist Harold Pride. Both were part of the organic community of Black artists and academics who came together in Manchester and, each in their own way, helped to reclaim Prince’s legacy as a specifically African American artist. The three of us talk about that, as well as their specific papers–Harold’s on the underrated, short-lived “Band with No Name” from 198788; Felicia’s on Prince’s autodidacticism and its connection to traditions of Black self-determination–and, as usual, a lot of other things along the way. It’s a great conversation that could have easily been twice as long; I hope you enjoy it as much as I did!

I still have a handful of these interviews lined up, and will be posting them at least through Labor Day. Appearances to the contrary, I’m also still writing: I’ll be back to the ol’ grind next week. See you then!