I’m afraid January has been another hell of a month for me on the day-job front, so here I am again, begging your patience on the long-awaited “When Doves Cry” post. But I haven’t showed up completely empty-handed; I also have some extended thoughts on Nick Hornby’s fun-but-inessential Dickens and Prince, and some truncated thoughts on the latest rumblings from the new Prince Estate. I think we’ll have a lot more to talk about by this time next month; in the meantime, thank you for your continued grace.
October 19, 2018 marks the 39th anniversary of Prince’s self-titled second album–not the most glamorous occasion, perhaps, but reason enough to reassemble the review panel from our For You podcast for a reappraisal. Once again, Zach is joined by Harold and KaNisa for a track-by-track discussion of this underappreciated album, its resonances throughout Prince’s career, and why it still matters.
Last month, I said I wouldn’t be on any more episodes of Prince: Track by Track in 2017, but it turns out I was misremembering. So, here’s me with podcast host Darren Husted talking about one of my all-time favorite Prince tracks, “Joy in Repetition”:
This is–for real–the last time you’ll hear me talking about Prince until next year. I will, however, be back by the end of the week with a nice, long post about “Do Me, Baby,” so don’t go into winter hibernation just yet!
Yesterday, I spent an unbelievably self-indulgent six hours on Skype with Jane Clare Jones, preparing and recording a podcast to mark the first anniversary of Prince’s death (because of our unbelievable self-indulgence, it will actually be several podcasts). The first installment of our conversation should be ready to post by Friday; but in the meantime, here’s another conversation from last year with my sister Callie, which ran on our blog Dystopian Dance Party just over a week after we heard the terrible news. In case you’re concerned–I know emotions are raw this week–it’s mostly a joyous discussion, focusing on Prince and what he means to us rather than the tragic conditions of his end. I thought now was as good a time as any to share it with a wider audience. Show notes are here, and I’ll be back tomorrow with a review of another recent addition to the canon of Prince literature.