Tag: 2017
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Possessed
Like many of Prince’s songs from this period, “Possessed” is the musical monologue of a man afflicted with chronic horniness. The unique selling proposition, in this case, is a dash of Christian demonology, as Prince’s narrator attributes the stirring in his loins to nothing short of infernal influence.
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Love and Sex (1984)
When Prince mentions “the upper room,” he seems to be literally referencing Heaven; and when he sings, “Will He let you hurt me in the upper room?”, he’s asking if God will allow him to fuck there.
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Let’s Go Crazy
There are plenty of legitimate claims to make for the precise moment when Prince became a superstar; but by any metric, “Let’s Go Crazy” is close to the top.
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Something in the Water (Does Not Compute)
If “Something in the Water”’s music wasn’t so beautiful, the self-pity and solipsism of its lyrics would begin to feel ugly: an adolescent projection of self-loathing into a spitefully generic female tormenter.
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André Cymone, Godfather of the Minneapolis Sound: A Retrospective from an Alternate Timeline
It wouldn’t be fair to give a single artist credit for “inventing” the Minneapolis Sound; but the fact remains that when most music fans think of Minneapolis, one man in particular comes to mind. I’m talking, of course, about André Cymone.