Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”

Yet another example of how Prince’s musical palette had broadened–and of how Apollonia 6 just may be one of the brightest hidden gems in his catalogue.

A definitive move into a new, baroque phase of Prince’s musical evolution.

An underexposed minor classic from Prince’s most overexposed period.