Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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Podcast: The Evolution Will Be Colorized – Zack Stiegler on the Salford Purple Reign Conference
This episode, it’s 2 Zacks United 4 Prince Conference (sorry) as your usual host, Zach Hoskins, talks to Zack Stiegler, Associate Professor in Communications Media Studies at Indiana University of Pennsylvania. As in my last episode with Jane Clare Jones, we’re here to talk about Zack’s time at the University of Salford’s interdisciplinary Prince conference
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Gotta Broken Heart Again
A minor masterpiece of economy and concision.
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I Don’t Wanna Stop
When Prince demoed “I Don’t Wanna Stop” in 1980, he was deliberately going out on a limb, a mad scientist sequestering himself in his laboratory to invent the future of Black music. It makes sense, then, that two years later, just as the fruits of his labors were starting to break through to the mainstream,…