Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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Get It Up
Here, for the first time on record, was Prince playing funk in the raw, “uncut” style of Parliament and Funkadelic–or, for that matter, his former onstage rival Rick James.