Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
Against the mechanized backdrop of “Let’s Pretend We’re Married,” Prince delivers a vocal performance that is pure flesh, utilizing every gasp, pant, slurp, and scream in his ever-expanding repertoire.
“If a Girl Answers” brings to mind the sense of queer kinship, recalled by author Hilton Als, among “the colored queens I had known growing up, who called Prince ‘Miss.’”
Prince’s main contribution was the lyrics: Vanity 6’s most sexually aggressive this side of “Nasty Girl.”