Prince's pop life, song by song, in chronological order.
Prince had tried before with his protégées, most notably Vanity, to Pygmalion a female version of himself; but while a few of these femme-Princes (Princesses?) could emulate him as a sex symbol, none before Sheila had the stage presence or musicianship.
Were it not for the unusual delicacy of Prince’s singing voice, “Down a Long Lonely Road” would sound for all the world like some old Folkways recording of a Black church group.
Did Prince bring a dose of magic to “Just Another Sucker”–or did his own, much more lucrative take on the Minneapolis Sound owe an unpaid debt to Pepé Willie’s influence?
Prince seems to have discovered early on that he was better at writing about sex from a woman’s perspective: his sexual appeal is simply more convincing, more fully-realized, when he’s putting himself in the shoes of his own seducee.