Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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Nadira
Prince’s lyrics are typical of his early songwriting, quivering with nerves and lust in the face of a vaguely-defined object of desire.
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Donna
With its double-tracked harmonies and simple acoustic guitar accompaniment, “Donna” points the way toward a few of the songs on Prince’s 1979 sophomore album.