Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
Prince’s lyrics are typical of his early songwriting, quivering with nerves and lust in the face of a vaguely-defined object of desire.
With its double-tracked harmonies and simple acoustic guitar accompaniment, “Donna” points the way toward a few of the songs on Prince’s 1979 sophomore album.
Charming and catchy, but not exactly a buried classic; just another example of Prince getting some ideas on tape in the months leading up to the sessions for his second album.