Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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Girl (1981)
“Girl” feels like bad karaoke, an impression that is only enhanced by the bland, lifeless arrangement.
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Oh, Baby
“Oh, Baby” is merely pleasant: a muted, languorous slow jam, a little like “When We’re Dancing Close and Slow,” except without that song’s genuinely erotic ache.