Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
“Jack U Off”’s approach to rock and raunch is inescapably camp.
“Private Joy” tends to be overlooked in Prince’s canon, possibly because its synth-heavy arrangement is more unapologetically “pop” than anything he’d done to date.
It’s difficult to determine just how seriously “Ronnie, Talk to Russia” was meant to be taken.