Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
“Dance to the Beat” feels tailor-made for live performances, giving Morris plenty of opportunities to exhort the audience with the title phrase while the lively synth and guitar riff provides some additional inducement.
“The Second Coming” attempts to tie together the thematic threads of the Controversy album, turning the accompanying live show into a conceptual experience.