Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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Make-Up
“Make-Up” matches its arrangement’s ice-cold glamour with a portrait of singer Susan Moonsie as a fembot at her toilette.
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Nasty Girl
The role that made Denise Matthews a star–even if, as she later admitted, it was one she played reluctantly.