Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”

A mildly naughty bit of fun, its lyrics loaded with winking references to “man’s best friend[,] furry, cuddly & fat.”

So sumptuous is “Kid” on a purely musical level that its more front-and-center narrative elements feel crass and unsophisticated by comparison.

Whatever “Chili Sauce” might say about Prince’s instincts as an editor (let alone his questionable accent choices), his work ethic remained beyond reproach.