Prince's pop life, song by song, in chronological order.
Prince had tried before with his protégées, most notably Vanity, to Pygmalion a female version of himself; but while a few of these femme-Princes (Princesses?) could emulate him as a sex symbol, none before Sheila had the stage presence or musicianship.
Here, Prince seems to hearken back to his electro-funk epics of the 1999 era; but rather than retreading past glories, he does so with a sense of tacit self-one-upsmanship, showing just how far he’d come as a musician and producer in the past two years.