Prince's pop life, song by song, in chronological order.
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The Belle of St. Mark
While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
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Some Kind of Lover
An underexposed minor classic from Prince’s most overexposed period.
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Take Me with U
“Take Me with U” has to do a lot of heavy lifting to make its part of the movie work, and it’s a testament to its sturdy construction that it works as well as it does.
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Sugar Walls
“Sugar Walls” isn’t just risqué for Sheena Easton; it’s risqué even for Prince, delving with near-gynecological intimacy into the mechanics of female arousal.