Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”

If the whole thing smacks of sexism–staking a claim on a human being, while reducing her to her undergarments–well, at least he isn’t throwing the poor lady in a dumpster (this time).