Prince's pop life, song by song, in chronological order.

While “Glamorous” sounded tailor-made for Sheila’s particular talents (even if it wasn’t), “Belle” is well-crafted but faceless, embodying the essentialist cynicism of the publishing imprint Prince used for his female side projects: “Girlsongs.”
“Just as Long as We’re Together” is less a pop song in the conventional sense than it is a four-to-six-minute demo reel all its own: an unabashed showpiece for Prince’s abilities as a singer, instrumentalist, and hooksmith.
Pleasant and frothy, if not especially memorable, “My Love is Forever” is Prince at his most self-consciously commercial.