Hoping to have another Vanity 6 post up by the end of the week–and, of course, it being Celebration week, I’d be surprised if there wasn’t a “new” track to write about sometime in the next couple of days. We’ll see what happens!
(Featured Image: Lizzo pays tribute to Prince in the music video for “Boys,” 2018; © Atlantic Records.)
It’s crazy to think about, but I’m nearing the end of my guest appearances on Darren Husted’s Prince: Track by Track podcast: just three more to go, one track each from ART OFFICIAL AGE and HITnRUN Phases One and Two. In the meantime, though, the topic is “BOYTROUBLE” from 2014’s PLECTRUMELECTRUM:
This episode is serendipitously well-timed, since Lizzo–one of the featured artists on the track, who has really blown up in the last few years–is releasing her highly-anticipated third studio album Cuz I Love You next week. If all goes according to plan, I’ll be sharing a review of that album soon. And if all goes even more according to plan, I’ll have another track from Vanity 6 posted before then. Stay tuned!
(Featured Image: “She’s got him now, boys!” 19th century “trade card” for Le Page’s glue; photo stolen from the Boston Public Library’s Flickr.)
Yes, I know, three Prince: Track by Track posts in a row isn’t exactly a testament to my productivity, but I’m still aiming to get “Nasty Girl” out by the end of the week. Meanwhile, here’s me and Track by Track host Darren Husted on a nice little tune from Prince’s underrated 20Ten album:
Thanks for your patience as I continue to work on the next proper chapter!
(Featured Image: “Pampered by all the finest amenities life has to offer, beautiful and wealthy Kristin Scott-Thomas is much sought after by two young men who are newcomers to life in the French Riviera in Under the Cherry Moon, a Warner Bros. release.”)
As promised/warned back at the beginning of the month, I’m intentionally taking my sweet time on the next post (though I will commit to getting it out by the end of the month). In the meantime, here’s my latest guest appearance on Darren Husted’s Prince: Track by Track podcast:
Not much more to say on this one. See you again soon!
The last time I shared an episode of Prince: Track by Track, I promised that my next post would be something more substantial; so, to keep that promise, I held back on sharing this latest episode until now.
I have to confess that I wasn’t familiar with “The Morning After” until I signed up to talk about it; I bought my copy of LOtUSFLOW3R on CD (from Zia Records in Tucson, Arizona), so I was only familiar with the configuration of the album that included “Crimson and Clover” instead. I literally listened to the song seconds before recording this, so you’re hearing my unfiltered first impressions here:
Also, this week I noticed a curious spike in views for one of the most obscure songs discussed on the blog: a late 1978 demo that has been circulating under the title “Nadeara.” Turns out the reason for all the attention was one of Prince’s old notebooks, currently up for auction, which contains (among other things) a breakup letter from the real woman who inspired the song. Also, it turns out we’ve been spelling “Nadira” wrong all these years. Oops. Anyway, I’ve added a photo of the note to the post on “Nadira,” the song, and also included it below for those who might be interested:
This is usually where I would make some kind of vague promise about when I’ll be posting again, but I’m actually not going to nail anything down yet because I know that the next piece I write is going to be longer and more research-intensive than usual. I will just say it’s a pretty significant chapter of the “story,” and I hope you’ll enjoy it once it’s ready.