(Featured Image: No, not that deconstruction; photo stolen from the Society for U.S. Intellectual History.)
Allow me to begin this post with the opposite of my usual spiel: I’m actually almost finished with the next song and will post it tomorrow. In the meantime, though, here’s my latest appearance on Darren Husted’s Prince: Track by Track podcast, on the most obscure track I’ve had the pleasure to discuss:
I have a relatively ambitious plan to wrap up with Controversy in the next week or so… wish me luck, and see you tomorrow!
(Featured Image: Cover art for Piano & A Microphone 1983. Photo by Allen Beaulieu, © the Prince Estate.)
Well, folks, I said I would have another post this week (and I really, truly am almost done writing it!), but there’s been so much going on today that I think it might be better to let it simmer until Monday. In the meantime, here’s something I wrote for my other side hustle at Slant Magazine about today’s excellent (yeah I said it, fight me) posthumous release:
Now I’m gonna go put the record on again and relax. Have a great weekend!
(Featured Image: “Beautiful,” played by Donnell Rawlings, arrives at the Playa Haters’ Ball on Chappelle’s Show, 2003; © Comedy Central.)
I know, I know, I’m running behind again. But part three of “Controversy” will be out soon–no promises, but I’m aiming for this week–and once that monolith is out of the way I expect things to pick up accordingly. In the meantime, here’s my latest appearance on Darren Husted’s Prince: Track by Track podcast, talking about the hidden track that may technically be my favorite song on Rave Un2 the Joy Fantastic:
Thanks to those of you who have been waiting patiently for the next d / m / s / r post, as well as the likely much larger number of you who don’t give a shit!
(Featured Image: Theresa Randle in Girl 6, Spike Lee, 1996; © Fox Searchlight Pictures.)
Let me actually start with an update: I’m now about halfway through my second post on “Controversy,” which means it will be on track to go live next week. Very excited to share it; the first “Controversy” post was one of my favorite things I’ve written for d / m / s / r, and this one feels to me like a worthy followup. In the meantime, here’s another episode of the Prince: Track by Track podcast, where host Darren Husted and I talk about one of my favorite deep cuts of the ’90s:
Again, I’ll be back with more next week! See you all soon.
(Featured Image: Our co-conspirators, circa 1982.)
Over the weekend, I made another appearance on Darren Husted’s Prince: Track by Track podcast, discussing a song that Darren hates and I honestly kinda love: “Cloreen Bacon Skin,” the longest and quite possibly least consequential single track in Prince’s entire officially-released oeuvre. Listen to my spirited, albeit slightly sheepish defense, which goes on for just over the length of the song itself, at the link below:
I’m still hoping to get another proper post out by the end of the week, but it’s gonna be a long one, so apologies in advance if it doesn’t make it until next week. I’ll do my best to make it worth the wait!