As promised/warned back at the beginning of the month, I’m intentionally taking my sweet time on the next post (though I will commit to getting it out by the end of the month). In the meantime, here’s my latest guest appearance on Darren Husted’s Prince: Track by Track podcast:
The last time I shared an episode of Prince: Track by Track, I promised that my next post would be something more substantial; so, to keep that promise, I held back on sharing this latest episode until now.
I have to confess that I wasn’t familiar with “The Morning After” until I signed up to talk about it; I bought my copy of LOtUSFLOW3R on CD (from Zia Records in Tucson, Arizona), so I was only familiar with the configuration of the album that included “Crimson and Clover” instead. I literally listened to the song seconds before recording this, so you’re hearing my unfiltered first impressions here:
Also, this week I noticed a curious spike in views for one of the most obscure songs discussed on the blog: a late 1978 demo that has been circulating under the title “Nadeara.” Turns out the reason for all the attention was one of Prince’s old notebooks, currently up for auction, which contains (among other things) a breakup letter from the real woman who inspired the song. Also, it turns out we’ve been spelling “Nadira” wrong all these years. Oops. Anyway, I’ve added a photo of the note to the post on “Nadira,” the song, and also included it below for those who might be interested:
This is usually where I would make some kind of vague promise about when I’ll be posting again, but I’m actually not going to nail anything down yet because I know that the next piece I write is going to be longer and more research-intensive than usual. I will just say it’s a pretty significant chapter of the “story,” and I hope you’ll enjoy it once it’s ready.
Things have gotten quiet again around here, both because I’ve been feeling under the weather and because I’ve been buried in other writing assignments. I’m working on the latter and crossing my fingers that the former is on its way out, but in the meantime, here’s an episode of Darren Husted’s Prince: Track by Track podcast I recorded late last year:
I was originally on the fence about whether I would share this podcast appearance here; while it’s an extension of Darren Husted’s Prince: Track by Track podcast–and Darren decided to do Beck’s 1999 album Midnite Vultures because of its well-publicized Prince influence–I thought at first that the track I’d chosen to guest on wasn’t very Prince-related. Well, turns out I was in denial, because we actually ended up talking about Prince quite a bit:
So anyway, there’s me talking about a non-Prince artist. I’ll be back by the end of the week to talk some more about Prince–or at least the Time. And hey, if you want to hear/read more of my words about artists that aren’t necessarily Prince, check out my music writing portfolio and my (currently-dormant-but-not-dead) side project zine/podcast Dystopian Dance Party!
I’m still hoping to finish my next proper post by the end of the week–though I have to say that today I’m laid out in bed with what feels depressingly like the flu, which is not the most conducive state for quality or coherent writing. I can, however, crank out a quick post to publicize my latest guest appearance on Darren Husted’s Prince: Track by Track podcast: