Yesterday, I once again had the pleasure of participating in the excellent #PrinceTwitterThread series organized by DJ UMB and Edgar Kruize. The current series is on 2014’s ART OFFICIAL AGE, and my thread was about my favorite track on the album, “U KNOW.” You can read my thread embedded below–but make sure you also check out the official @PrinceThread account on Twitter to read the threads still in progress! Everything so far in this series has been top-notch. Thanks to UMB and Edgar for the invite, and I’ll be back with a new post on “My Drawers” soon!
It’s been a little bit of a crazy week, so I’m afraid we’re going to have to wait a while longer for my next real post on “All the Critics Love U in New York”; but I haven’t been completely lax in my Prince-writing duties. Over at Spectrum Culture, where I occasionally lend my pen, I reviewed the new batch of vinyl reissues from Prince’s mid-2000s “comeback” era:
These weren’t my favorite albums when they came out, and to be frank they still aren’t (though 3121 aged pretty damn well); but they cover a period of great historical interest, and I’m glad they’re being made available for a new audience.
On a somewhat Prince-related tip, I also wrote a piece for Spectrum this week about Beck’s Midnite Vultures, which is turning 20 this year in what I can only interpret as an act of personal aggression against me. You can read it here and find out why I think it actually owes less to Prince than to David Bowie, specifically 1975’s Young Americans:
Next week, I’ll finally have a little more time to do some writing for himself (a.k.a., this blog). I’m also recording another batch of Prince: Track by Track episodes tomorrow, the first of which you should be hearing very soon. Perhaps, at some point, I will also get some sleep.