Last Friday night, I broke my self-imposed hiatus to contribute to the latest #PrinceTwitterThread series on 1999. I used this opportunity to expand on one of my favorite posts I’ve written, “All the Critics Love U in New York,” zeroing in on the themes of Prince’s reciprocal relationship with Detroit DJ the Electrifying Mojo and, by extension, the early techno scene. I’ve been wanting to do a project around the Detroit-Prince connection for years, and to be honest, when I decided to do this thread, I didn’t think it would fill that gap for me; but I’m actually very happy with how it turned out, so if this ends up being my last word on Prince and Detroit, then I’m surprisingly okay with that.
In fact, I’m so happy with this thread that a part of me wishes I’d centered my paper at next (!) weekend’s #TripleThreat40 symposium around it, so I could already be mostly done with my personal projects this month instead of only half done. But that’s Burnout Zach talking; I have every confidence that by the time the symposium runs around, I’ll be glad I decided to pursue two cool ideas instead of just one. For now, please enjoy Cool Idea #1; hopefully I’ll see some of you when it’s time to unveil Cool Idea #2.
One quick correction, which came up in the chat at the symposium: While Allen Beaulieu was involved in the Controversy poster shoot, the actual image that made it onto the poster was taken by none other than Lisa Coleman! So, Lisa, if you ever want to come on my podcast and spend an entire hour talking about nothing but this photo, consider this your open invitation.
If you can’t get enough of me and my pandemic hair, below is the Q&A I did with Christopher, Steven, Edgar, and C. Liegh:
Finally, I’d like to share a few of my favorite presentations from the symposium. It isn’t an exhaustive list–my real recommendation is that you watch every video on De Angela’s channel!–but if you’re looking for a good place to start, you can’t go wrong with these.
And, last but not least, the aforementioned C. Liegh McInnis on the lyrics of Diamonds and Pearls, which had us reconsidering, of all things, the poetic merits of “Jughead”:
In short, the symposium was an absolute joy, and I’m proud to have been a part of it. I’m already counting the days until next year’s “Triple Threat” symposium on 1999, What Time is It?, and Vanity 6!
(Edit: I posted too soon and didn’t include this great recap video De Angela posted on Monday! It captures so much of the fun we all had that weekend. See you again at #TripleThreat40!)
