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Alternate Timelines

André Cymone, Godfather of the Minneapolis Sound: A Retrospective from an Alternate Timeline

Note: Following last month’s post on “Do Me, Baby,” I knew I wanted to give André Cymone another, proper sendoff before he disappears from our pages until 1984. So, here’s the latest in my series of thought experiments, imagining an alternate reality in which André, not Prince, was the Grand Central member who went on to greater solo success. For anyone just dropping in, the idea here is to bring attention to the web of contingencies that shaped Prince’s career; to shake up our sense of inevitability and offer a glimpse at one of the many possible alternatives had things gone even slightly differently. It’s also, in this case, an opportunity to reevaluate Cymone’s legacy beyond his friend’s deceptively long shadow. As always, have fun and don’t take this too seriously. We’ll be back to our regularly scheduled programming next week!

For a brief but significant period in the 1980s, the cutting edge of R&B and pop could be found in the unlikely locale of Minneapolis, Minnesota. Known as the “Minneapolis Sound,” this unique hybrid of funk, rock, and nascent electronic and New Wave styles emerged almost organically from the Twin Cities’ small but vibrant Black communities in the late 1970s. It thus wouldn’t be fair to give a single artist credit for “inventing” the genre; but the fact remains that when most music fans think of Minneapolis, one man in particular comes to mind. I’m talking, of course, about André Cymone.

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A Few Recent Posts from Dystopian Dance Party

I’m hoping to have my next post ready by the end of the week, but the Internet service in my new house might not cooperate; in the meantime, I thought I’d share a few recent links from my other blog, Dystopian Dance Party, that may be of interest to other d / m / s / r readers.

First, my sister and I recorded a podcast on the memoirs (plural!) of Rick James, with a fair amount of discussion about his longstanding, albeit mostly one-sided rivalry with Prince. It’s sort of an irreverent companion piece to my recent post on “Head,” so if you liked that and/or Rick James, check it out:

Dystopian Book Club Podcast,
Jheri Curl June Edition:
The Memoirs of Rick James

Second, just this morning I posted a short piece on the Girls, André Cymone’s spinoff group from shortly after he parted ways with Prince. Like so much about André’s career, I found it a good opportunity to reflect on the strange combination of luck, opportunity, and talent that made Prince a star over (and, at times, at the expense of) his friend and collaborator:

Jheri Curl June: The Girls’ “Girl Talk

Like I said, hopefully I’ll have more to share shortly. Thanks in advance for your patience!