Categories
Welcome 2 America, 2011

Welcome 2 America

Even after the news was leaked by a French fansite earlier this year, I was still pleasantly surprised when the Prince Estate confirmed the shelved 2011 album Welcome 2 America for official release in July. Up until now, I’ve found the Estate’s posthumous release strategy to be laudable but predictable: alternating between expanded reissues from Prince’s critical and commercial peak (Purple Rain, 1999, Sign “O” the Times) and sure-thing one-offs engineered for mainstream attention (i.e., the Originals compilation of Prince’s versions of the hits he wrote for others). Even the closest thing to an odd one out, 2018’s Piano & A Microphone 1983, had the distinct commercial advantage of coming from the sessions for his most popular album.

Welcome 2 America, however, is something different: a complete album of almost entirely unreleased material, from a period of Prince’s career that even some of his biggest fans neglect. Case in point, well, me; I’d followed along with Prince’s contemporary music for 2004’s Musicology and 2006’s 3121, but fell off after 2007’s Planet Earth and 2009’s Lotusflow3r/MPLSound/Elixer threefer left me cold (for the record, I’ve since come around on Lotusflow3r and, thanks to friend of the blog Darling Nisi, even Elixer; Planet Earth and MPLSound, not so much). When the next album, 20Ten, wasn’t officially released in the U.S., I didn’t even care enough to try and pirate the MP3s. All of which is to say that Welcome 2 America is even newer to me than to many of the active fans who were following the news of its planned release at the time–and while that was my loss in 2011, a decade later it’s now my gain.

Categories
Reviews

Review: Ultimate Rave

Hi again! As promised, I’m back with my review of the new Ultimate Rave collection, which went up today on Spectrum Culture:

Review: Ultimate Rave

I wish I could say that the critics had been wrong all along and this is a buried, misunderstood gem, but quite frankly, it isn’t; even 20 years later, this is still one of (the Artist Formerly Known as) Prince’s most deeply mediocre records. But I find that the additional hindsight, as well as Sony Legacy’s excellent presentation, has made me a lot more affectionate than I may have been otherwise. I look forward to this deluxe treatment being given to more of the albums that deserve it!

In the meantime, if you’re interested in supporting this release but have found the price tag too steep, at time of posting it’s a little less than $16 on Amazon; that’s about $10 less than I paid for it, even lower compared to list price. And if you use my affiliate link, you can support me, too!

Okay, that’s enough shilling for one day. See you tomorrow!

Categories
Uncategorized

Prince Track by Track: “Dead on It”

I’ve been trying to squeeze in at least one guest spot per album on Darren Husted’s Prince: Track by Track podcast, and for The Black Album I couldn’t resist taking on what is arguably its goofiest track, “Dead on It.” Listen to Darren and I dissect Prince’s skills on the mic here:

Prince Track by Track: “Dead on It”

I’ll be posting another podcast–one of my own–by the end of the week, then it’s off to Minneapolis!