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D / M / S / R Year Four in Review

If you visited princesongs.org over the weekend, you may have already noticed that D / M / S / R’s long-delayed migration from WordPress.com to a self-hosted blog is finally complete! Well, mostly complete, anyway: I’m still working on getting the podcast feed back up and running, and I still need to figure out how to transfer a couple of stray comments over from the old site. I’m also having issues setting up the Patreon WordPress plugin–ironically one of the reasons I originally decided to self-host–so for now we’re going to have to handle Patreon-exclusive posts the same, slightly inelegant way we did on the old site.

But still, D / M / S / R looks and feels different now, and I hope you like it. I personally think it’s a lot slicker-looking and more readable; the WordPress theme I used (their default 2020 theme, believe it or not) puts a lot of emphasis on the content, and I followed their lead by cutting back on the sidebars and other bells and whistles. Also, you may notice that “Dance / Music / Sex / Romance” is now properly capitalized; this, like my original decision to use lower-case letters, is 100% based on what I think looks better with the default font.

But enough about that. We’re here to check in on my progress on this crazy project, which I started just about four years and one month ago. Last year, you might recall, I was wringing my hands over producing only 26 posts from June 2018 to May 2019. I had hoped to improve my output for 2019-20, but, well, you know what happened; a confluence of internal and external factors, most notably but not exclusively including a global pandemic, resulted in my taking an unprecedented three months off of all nonprofessional writing. In case you’re wondering, my total number of posts for this past year was 21, counting the Patreon-exclusive “bonus track” post for “You’re My Love.”

This is normally where I would start wringing my hands and making apologies and promises and self-deprecating jokes about being done with the project in 2036 (a number, by the way, that I am increasingly considering to be a genuine ballpark estimate). Here’s the thing, though: if the last year has taught me anything, it’s that shit is unpredictable and mostly outside my control. We’re all lucky to have made it past the halfway point of 2020 at all; worrying about “productivity” in times like these is just going to make my hair go gray more prematurely than it already is.

So this year, I’m not making any apologies or promises. Instead, I genuinely want to celebrate what I achieved in the past year, which was as challenging a year for me as any in recent memory. First and foremost, I got through three albums:

Vanity 6, 1982
What Time is It?, 1982
1999, 1982

Besides that, the Patreon I launched last year–despite being suspended for almost as many months as it was in operation–has held more or less steady at a very respectable 20 monthly supporters. In fact, I want to welcome two new patrons, Alexander Ostroff and Anthony John Battaglia, who came on board just in the last week. The Patreon, you might recall, was meant to help my productivity, and on sum I think it has; this year has just been such a bastard that it’s hard to point to any objective evidence to support my gut feeling. As always, I’m appreciative of any support (including non-monetary), and not in the least offended if my work is not a priority for you to pay for at any given time. Do what you’ve gotta do! But I am going to be earning those Patreon dollars this month, and in the months to come, with a mix of early and exclusive posts that I think you’ll like.

Last but not least, the blog relaunch finally gave me the opportunity to make those revisions to old posts I’ve been promising for, oh, about two years now. I made a bunch of tiny formatting tweaks to almost every post, but if you’re interested in seeing some more substantial revisions, they’re linked below:

“Wouldn’t You Love to Love Me?”
“I Feel for You”
“International Lover”
“Gigolos Get Lonely Too”
“Turn It Up”
“Make-Up”
“If It’ll Make U Happy”
“How Come U Don’t Call Me Anymore?”

Now, for what to expect in Year Five: I recently put together a rough plan for what might be called the “long Purple Rain era,” which includes Purple Rain proper along with Around the World in a Day, the Time’s Ice Cream Castle, Sheila E’s The Glamorous Life, and the self-titled albums by Apollonia 6 and the Family. It comes to a total of 75 posts–roughly three years of writing, at my recent pace. My ambitious goal is to get it done a lot sooner: I’d love to wrap up Around the World in a Day by December 2021, so I can be writing about Parade by 2022. I think it’s technically possible if I can stay close to a post a week in the next 17 months; but, again, I’m not going to make any promises. A lot can happen (or not) in a year.

What I can say is that I’m feeling more invigorated about this project than I have, probably, since the year I launched it; and whether I make my ambitious goal or not, I want to make the fifth year of D / M / S / R its best yet, in terms of quantity but also (and more importantly) quality. Thank you to everyone who has supported this blog in any way since 2016; I hope you keep reading and enjoying it in the years to come, however many there end up being. I’ll leave you with this video I put together for last month’s DM40GB30 symposium, which I think does a good job of encapsulating my current philosophy about the blog:

(P.S. One last bit of housekeeping: the move to self-hosting unfortunately means that, if you subscribed to email alerts for my old WordPress.com blog, you’ll need to resubscribe for this one. Scroll down to the footer and you should see a box that reads “Subscribe to Blog via Email.” I promise this is the last time I’ll be relaunching like this in the foreseeable future, so this should be a one-time inconvenience!)

Zach

By Zach

Recovering academic. Music writing at Slant, Spectrum Culture, and elsewhere. Founder and editor, Dystopian Dance Party. Tweets @zchoskins.

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