In the spring of 1981, with Morris Day as lead singer and the majority of Flyte Tyme in tow, work on the album that would become the Time’s self-titled debut began in earnest. The sessions at Prince’s Kiowa Trail home studio were “quick and dirty,” according to engineer Don Batts. “The whole album went fast and it was produced at a minimal cost,” he told the fanzine Uptown. “I even remember using used tape” (Nilsen 1999 85).
Some of the quickness and dirtiness of The Time is evident in its track list, a scant six songs of disparate provenance. André Cymone had been involved early in the process: “I was trying to put some other groups together,” he said to Uptown. “Just trying to make some money… I saw [Prince] turning down productions, offers from Diana Ross and some other people, this is like good money, and I’m going, ‘Wait a minute, man. Let’s just do some of this. Let’s put together a group’” (Nilsen 1999 84). As we’ve seen, however, relations between Prince and André were quickly deteriorating, and this project was no exception. “All of a sudden, Prince decided he wanted everything his way,” Cymone recalled. “All the songs would go to his publishing company, and he wanted this and that. I was sick of doing everything that way. He didn’t want my name to be mentioned, he wanted me to use a fictitious name. I wanted to get credit for what I was doing” (85).